Adherence Is Truest Common,Ash Is Purest White

As one of the writers who explored the development of literature and the country with the "new" spirit in the context of Chinese modern and contemporary literary history,Nie Gannu undoubtedly represents the advancement of his thoughts and spiritual thinking during this period.As a result,in several changes in the direction of Nie Gannu’s creation,we can also see the close and delicate relationship between his novels,new poems,essays,and old-style poems,the trend of the times,and the core of his thoughts.With the continuous change of Nie’s own situation,the ups and downs of his state of mind are the natural disclosure of changes in living environment and personal experience.Based on this,it is inevitable that Nie Gannu changed the style of stylistic interpretation.It is worth noting that Nie Gannu’s situation,state of mind,and some kind of implicit or explicit mutual restraint relationship with the style have become the key to explore its inner spiritual and ideological trends.At the same time,the development of the big age has also become the fundamental reason for the changes in Nie Gannu’s situation,mood and style.This article attempts to divide into three chapters based on the stage of Nie Gannu’s creation.Based on the internal text of Nie Gannu’s creation,this article studies the background of different times and the core of Nie Gannu’s thought in different stages.The first chapter explores the political stance of Nie Gannu from the early 1920 s to the late 1930 s,his reflections on national development and the national spirit in the context of national unrest,as well as his awareness of new poetry,prose,Stylistic practices such as novels.The second chapter discusses the construction of his ideological system through various attempts of stylistics from the early 1940 s to the early 1950 s,and focuses on the meaning of the prose in essays.The third chapter focuses on the fate of Nie Gannu from the early 1950 s to the early 1980 s,explores thepotential discourse in his written self-criticism,and the inner spiritual trend of Nie Gannu’s transition from essay to old-style poetry during this period.