| Huang tingjian is a typical representative of the literati in the song dynasty.His poems and seals are all fine,and he understood zen.In the field of calligraphy,it is one of the four calligraphers in the song dynasty,representing a style of calligraphy in the northern song dynasty.Huang tingjian’s calligraphy not only influenced yongrong dynasty,but also had a great influence on later generations.This paper mainly discusses the influence of Huang tingjian’s calligraphy on the calligraphy of the southern song dynasty from the aspects of calligraphy theory,calligraphy evaluation,calligraphy practice and calligraphy aesthetics.The article is divided into four parts.The first part "looking back at the southern song dynasty people’s attitude to Huang calligraphy from kan",this part mainly in the southern song dynasty calligraphy inscription as the main literature,combing the content,through the southern song dynasty people of Huang tingjian book wind,chirography,and calligraphy status evaluation and inherited the origin,to spy out the attitude of the southern song dynasty people on Huang huang tingjian calligraphy calligraphy.The second part is "the influence of Huang tingjian’s understanding of the southern song dynasty calligraphy",mainly imitating the ancients views of learning book,including determining the learning object and method,Huang ting jian appreciation and evaluation of attention to the "human" point of view,the southern song dynasty Zhou Bida ShuLun further focus on the theory of "taking people book",the Wei liao-weng Huang tingjian "don’t bother rope cut and close" and attaches importance to XiongCi accomplishment of amalgamated into his calligraphy book view point of view,form their own style.The third part is "learning" the southern song dynasty calligraphy practice of Huang tingjian,first collected Huang tingjian calligraphy in the spread of the southern song dynasty,analysis of different identity,different psychology’s choice of Huang tingjian calligraphy,scholars mainly study the running script and cursive script,determining the monasteries monk(cyd)as the main object,in addition,the southern song dynasty illustrious tag kan also lawlessness milk in Huang tingjian and stone tablet inscriptions calligraphy phenomenon.The fourth part is "the cause of Huang tingjian’s calligraphy",which mainly discusses the policy of the southern song dynasty and the positive factors of the spread of Huang tingjian’s calligraphy,as well as the characteristics of the influence of Huang tingjian’s calligraphy on the coexistence of criticism and praise in neo-confucianism. |