Analysis Of Huang Tingjian’s Calligraphic View And His Creative Practice

This paper studies Huang Tingjian’s view of calligraphy,focusing on the basis of huang Tingjian’s view of calligraphy,extending and applying to his creative practice.The second chapter is huang Tingjian’s view of calligraphy,which is discussed and analyzed from the view of lintien,the view of method and the view of aesthetics.The lintien view has "light ink,see the ancients use the pen" and "the view of being absorbed,then the writing is satisfactory".The view of method has three aspects:using the pen for the top,the work outside the word and learning the ancient mud.His aesthetic views are "clumsy more than clever" and "the spirit of learning articles".The third part is the influence of Huang Tingjian’s calligraphic view on my calligraphy practice,mainly focusing on the influence of three interviews on my creation: "fat characters need bone,thin characters need meat","regular method is like a fast horse to enter the field,grass method is like left and right rules" and "only vulgar".