Research On The Oil Painting Of Xinjiang Figure After The Reform And Opening-up

As a country-hosted exhibition of great importance and large scale,National Art Exhibition plays a leading and promoting role in the overall prosperity and development of oil painting in China,and works that can be selected and awarded undoubtedly reflect the painting language form and aesthetic ideal of contemporary painting.Since the Sixth National Art Exhibition in 1984,the scale of the exhibition is larger and its system is more perfect.Therefore,this thesis chooses the selected and awarded Xinjiang figure oil painting works from the Sixth to the Twelfth National Art Exhibition as the research direction.These works that can be exhibited and awarded in the Sixth to Twelfth National Art Exhibition are quote-worthy for the study of Xinjiang oil painting development in terms of their painting expression and theme selection,and are representative for presenting the overall situation of Xinjiang figure oil paintings.This thesis analyzes the Xinjiang theme oil painting in the National Art Exhibition through three parts.The first part discusses the origin and development of Xinjiang oil paintings and the cultural background of Xinjiang figure oil paintings;the second part makes a statistical analysis of Xinjiang figure oil paintings in the National Art Exhibition since Reform and Opening-up,and discusses the relationship between the National Art Exhibition and the development of Xinjiang figure oil paintings;The third part discusses the problems existing in Xinjiang figure oil paintings and the opportunities for Xinjiang oil paintings development through the Xinjiang figure oil painting works of the National Art Exhibition.Through these three parts of researching and analyzing the development of Xinjiang figure oil paintings after Reform and Opening-up,this thesis will not only assist in building a more comprehensive appearance of new era Xinjiang oil paintings,but also reflect the diverse observation perspective of Xinjiang oil painters in the new era.The significance of exploring the development of Xinjiang oil painting lies not only in exploring its hidden national and folk culture,but also exploring its role that constructing the development of oil Chinization.