Study On The Development Of The Minorities Watercolor Figure In Xinjiang

Xinjiang is the largest of areas inhabited by minority nationalities in China, with 47 ethnic groups, including the Han nationality, and 13 of them are the ethnic groups. In the process of the historical multi-cultural exchange under the influence of "Silk Road", the ethnic groups maintained their own national characteristics. As minority art creation resources, especially the creation of the painting of the minority nationality watercolor painting, Xinjiang has the infinite rich natural resources superiority. In art history in Xinjiang, due to the influence of religious culture, especially after the introduction of Islam in Xinjiang, the portrait art basic interrupted.Until the 1930 s, Until the 20 th century, thirty or forty years in the Han Leran, Stuart Joe watercolor painter of Xinjiang national minority to explore theme development, batch of excellent artists constantly into Xinjiang Looking for inspiration. Especially after the founding of new China and the "reform and opening", the development of the frontier, the construction of the border, under implementation "Western Development Strategy", Xinjiang minority art has made brilliant achievements, the Chinese modern art history has added a splendid page. The Xinjiang minority nationality watercolor figures painting has also obtained the vigorous development, in the course of development, contribute to the formation of individual groups of water color painters performance characteristics, and also made the artistic achievements of the minority nationality in the fine arts history.This article reviews the Ethnic Minority portrait and watercolor portraits of the development process and achievements, and analyzes the development of Xinjiang minority of watercolor portrait geographical and resources creation advantages, focusing on the performance characteristics of watercolor portrait of Ethnic Minorities- Realistic nature, impressionistic,decorative, laterally to the typical artist representative works of analysis. Finally, the authorstudies the development of the practical significance of ethnic minorities in Xinjiang watercolor figure under the strategy of "the Belt and Road". Aims to develop minority watercolor portrait of Xinjiang’s history and performance studies, a starting point for Xinjiang national minority theme watercolor figure painting theoretical studies blank, leading creators and more attention from researchers, expanding the creator and investigator team, to promote the development of Xinjiang Minority watercolor portrait to make a modest move forward.For the creation and artistic expression watercolor portrait of Ethnic Minorities, in addition to this paper summarizes the realistic, impressionistic, decorative form, the artist should be characterized by the appearance of the shape, as well as creative techniques, performance and contents, more should be placed in a more open and more effective environment and in the platform, should be more deeply into the life of the ethnic minorities in the north and south of the Tianshan Mountains, deep ethnic spirit and the beauty of the soul, keep pace with the times, in order to create worthy of this era to carry forward the excellent works of Xinjiang ethnic spirit and culture, in the "The Belt and Road" strategy of minority watercolor painting will usher in prosperity, the development of tomorrow.