The Dialogue Between Time And Space Of Music

Based on the musical theme of the Yue opera Liang Shanbo and Zhu Yingtai,there emerged violin concerto and two symphonic suites in 1959 and 2002 separately.These two sets of tracks have been released decades apart by showing their unique charming of symphonic nationalization.This research was conducted from the perspective of musicology: First of all,we summarized the influence and significance of the epoch-making violin concerto Liang Zhu after its first release decades apart and combined with the previous studies to conduct a detailed analysis of the theoretical values and literary values in China contemporary symphony.This musical work combined Chinese traditional cultural elements with Western composition theoretical techniques to open the door of the nationalizing domestic violin concertos.Second,we did a complete and detailed analysis of structural music on the first and second suites of Liang Zhu combined with the creative concept of Dr.Dunnan Liu.We mainly conducted the musical analysis to demonstrate how the composer characterized the image-shaping,musical expression of emotion and the expression of the storyline to overall figure out the process of development which involves numerous Western composition concepts such as orchestration,composition techniques,and melody structure as well as the application of Chinese traditional music structure and traditional Chinese musical instruments?The third,summarize the suite and the original opera structure of the corresponding structure in processing the arrangement based on the development of the storyline in the original opera structure.The fourth,illustrate the nationalization techniques of a suite from the aspects of the structure of the suite and the application of traditional Chinese percussion instrumentsThe last,generally analyze and compare symphony suite and violin concerto of Liang Zhu from Time and space" point of view to demonstrate the alterations in the creation works of composers while retaining the characteristics of the national music culture of Chinese contemporary music during the decades development due to the influence of the Western music culture.Thus,to explore new phenomena,new changes and feasibility infusion of Western composing thoughts with Chinese traditional music culture.