On The Seclusion Thoughts In The Landscape Paintings Of The Five Dynasties And Two Songs

In Chinese painting,painters are more focused on expressing their inner,psychological world beyond the real image.According to the Chinese,all paintings should reflect or convey their own "thoughts",which is often expressed as or The admonishment of adult education to help others;or the open-mindedness of showing that the heart is not for material service;In landscape painting,the inner thought most often expressed by the painter is the feeling of "hermit",whether it is the princes and nobles of the dynasty,the literati doctors who are in the ups and downs of the eternal sea,or the monks and lay monks who are free and easy There is a kind of impulse and yearning for the hermit culture and the joy of mountains and forests.However,with the change of the times,this internalized culture of Confucianism and Taoism has gradually faded,and this traditional ideological education is also far away from us today,but today we are learning about landscape painting,especially interpretation The "hidden thought" in the predecessors' landscape paintings is a point we cannot avoid.It is also the interpretation of these "thoughts" that can make the picture more effectively attract the painter and the viewer,and then realize the identification of the two.The "hidden" of the landscape is not the subject of "hidden",but the ancient people's thinking of nature from the perspective of "hidden"."Hidden" is originally based on Taoism,guiding people's minds not to be servants,but to honor and shame.Gain and lose a detached attitude.The painter lives in the mountains and forests and appreciates the changes of natural landscapes,so as to perceive himself.While the viewers lie between the landscape and the landscape,they talk to the author to console Lin Quan's ambitions,which are "unmatched".In the landscape paintings of the Five Dynasties,the Two Song Dynasties,and even the Tang Dynasty,we can see that not only the influence of the hermit spirit on the content painted by the painter,but also the manifestation of a kind ofobservation method and aesthetic concept such as "Secret and Deep".At that time,the painters used this multi-level thinking of "hidden" to provide specific values and aesthetic thinking for their paintings.The pen and ink in landscape paintings are derived from natural thinking,and the masterpieces of modern landscape painting styles are also derived from natural landscapes.The landscape painters expressed the feeling of "hermit" in the pictures from the real landscape,and the "hermit" came back to a way of thinking that later generations of painters would think through the same time and space as before.That is to think about the author's "hidden aspirations" from the painting,and then to rethink from the "hidden aspirations" how predecessors used pen and ink to look at nature and transform nature.