| The study of traditional Chinese landscape painting tends to focus on the brush and ink techniques of landscape painting and the theoretical exploration at the general level.This paper focuses on the humanistic framework and spiritual connotation in the works of the Ming dynasty landscape painting.Through in-depth interpretation and discussion,I have a further understanding of the form and content of the works and the painter’s attitude towards creation.The hermit complex is an important feature of landscape painting in Ming dynasty.The related research has important theoretical significance and practical guiding value for the creation and research of contemporary landscape painting. |