The Research On Jing Hao’s Painting Aesthetic Thoughts

From the southern and Northern Dynasties to the Sui and Tang Dynasties,figure painting has always been in a leading position in the form of Chinese painting.During the Five Dynasties and two Song Dynasties,landscape painting has been rising,and gradually become the mainstream form.During the Five Dynasties,social unrest,frequent alternation of political power and Wars made literati abhor politics,stay away from the official field and go back to seclusion.Jing Hao,an important landscape painter living in the Central Plains from the end of Tang Dynasty to the Five Dynasties,lived in seclusion in Honggu,Taihang Mountain,in order to avoid war.Jinghao has an important position and far-reaching influence in the history of ancient aesthetics,art and culture.His painting skills are both textured and dyed,which is a breakthrough in the art of Chinese landscape painting.He created a panoramic landscape painting with a magnificent realm and pushed it to its heyday.Guan Tong,fan Kuan,Guo Xi and others all learn from Jinghao.Jinghao has a profound influence on the development of Chinese landscape painting.There are many aesthetic thoughts in the painting theory "A Conversation on Method",which can not be ignored in the history of Chinese aesthetics.As a master of northern landscape painting,his painting also contains the aesthetic consciousness of landscape painting in that era and Jing Hao’s philosophy and aesthetic thought.This paper mainly discusses Jinghao’s painting aesthetic thought in four chapters around his painting achievements.The first chapter mainly discusses Jing Hao and his background.Starting from Jinghao’s life situation,this paper analyzes and explores the painter Jinghao’s painting works and theoretical works "graphology";from the analysis of the influence of Jinghao’s political,economic and cultural background on his painting aesthetics,we can see the gradual appearance and transformation of his painting thoughts.The second chapter mainly discusses the aesthetic theory of Jinghao’s "the record of brushwork".Jing Hao,as an open-minded ink landscape painter,is facing the green landscape with gorgeous decoration style and a batch of immature early ink landscape since Tang Dynasty.He proposed a very novel and profound proposition-"take the truth from the object image" based on the aesthetic needs of the times.For the first time,he distinguished "truth" from "like",and enriched "true" The aesthetic connotation of the concept itself.Secondly,Jinghao discusses the six key points of painting-"Spirit,Mood and atmosphere,Thought,Scene,The brush-work,Ink-work",and the thinking of its internal connection is helpful to a deeper understanding of Jinghao’s painting aesthetic thought.In addition,on the aspect of painting evaluation,Jinghao,on the basis of predecessors,divided four kinds of painting into "Masterly,Wonderful,Exciting and clever",and defined them;moreover,Jinghao further emphasized the cause of failure in the creation of painting aesthetic image.The third chapter expounds the aesthetic concept of Jinghao’s paintings.Jing Hao’s aesthetic concept of painting is dominated by his aesthetic thought,and its setting,composition,modeling,pen and ink are all the reflection of his aesthetic thought.It can be seen from the works spread by Jinghao and the painting comments of later generations that Jinghao’s aesthetic concept of painting works first includes a kind of aesthetic concept of landscape momentum.Jinghao’s paintings are mostly landscape paintings,reflecting the importance of natural sketching for painting creation.Jinghao created the layout of mountains,rivers and panorama,showing the infinite heaven and earth,the magnificent aesthetic realm of creation.Secondly,ink theory,painting works highlight the momentum of the pen and the mystery of ink.Jing Hao was the first one to clearly put forward the requirement of "ink with pen",which became a milestone for the ink landscape painting to take the lead in the painting world,and advocated the aesthetic concept of "ink with pen,ink with water,ink with ink".The third is the regional aesthetic consciousness in Jinghao’s landscape painting.Analyzing the southern landscape image and the aesthetic factors of "autumn" in his painting works can help us understand Jinghao’s aesthetic concept of painting more deeply.The fourth chapter mainly discusses the value and influence of Jing Hao’s painting aesthetics.This paper discusses the influence of Jinghao’s painting aesthetics on Chinese landscape painting,the influence of Jinghao’s painting aesthetics on the personality cultivation of later generations,and the important value significance of Jinghao to the landscape painting of the Five Dynasties and the Northern Song Dynasty.Jinghao’s painting belongs to the southern school and also is the representative of the northern school.His aesthetic thought has an extraordinary influence on the painters of Song Dynasty and later generations,such as Guan Tong,Guo Xi,Ni Zan,etc.,and still has an important value up to now.