Musical Characteristics And Singing Analysis Of Aria "I Will Marry Tubo For Life"

Northwest Minzu university’ original teaching opera "Princess Wencheng" is based on a real historical event.For the first time,the opera "Princess Wencheng" put the "Princess Wencheng" into Tibet,a well-known and popular historical figure and event,in the form of a teaching opera.This work is based on the Han-Tibetan and prohistorical stories of Princess Tang Chengcheng marrying Tubo Songtsan Gambo in the Tang Dynasty as the theme,and the combination of Chinese folk music elements and Western opera musical expressions as the creative ideas for Chinese opera and the world Bold attempt."Princess Wencheng" is different from the traditional western operas,and it is more of a combination of Chinese folk music,Chinese opera and The fusion of the two forms a Chinese and Western art work with distinct Chinese characteristics.The teaching opera "Princess Wencheng" was opened by the "Prologue" of the armed conflict between the two sides,followed by the four-act drama "Gorgeous Enthusiasm","Complicated Affection","Unforgettable Nostalgia" and "Great Love".It depicts the Han-Tibetan "harmony" process between Songtsan Gambo and Princess Wencheng.This article takes one of the main arias of the character "Princess Wencheng" in the play,"I Will Marry Tubodu for Life" as an example,and discusses its musical characteristics and singing analysis.The analysis of the characteristics of the music is mainly from the structure of the tune,the layout of the tonality;the harmony design and texture changes;the melody style;the subordinate parts include the design of the intro,connection,and epilogue;The processing of spit words,emotional processing,and character modeling are discussed,and the analysis is combined with the self-learning experience and the methods of encountering and solving problems in order to achieve a better understanding and interpretation of this work.And hope to Provide feasible reference for other singers.