An Analysis Of The Works And Performance Of The Accordion Adaptation Chakong

Chakong is a unaccompanied violin solo composed by Bach,a German composer in the Baroque period.Later,it was adapted by several composers into different versions of different instruments,among which the piano version of Busoni,an Italian composer,is particularly famous.This paper discusses another version based on the former two,which was composed by a famous Russian player The works of free bass accordion by Lipps,an organist and educator.The adapted version of Lipps makes full use of the performance advantages of free bass accordion.Through the performance of accordion,qiakong is pushed to another height.In addition to following the baroque style,the performance effect of the whole work reaches the grand momentum of the band version,rich texture and color,giving people a kind of enjoyment of hearing feast It's amazing that Mr.Lipps' s version of accordion endows this work with new practical significance.At the same time,this work also requires the performer to have solid basic skills and performance technology.This paper analyzes the creation characteristics and music style of qiaokong,and launches the performance of this work of the opponent's accordion Third,we should make a detailed discussion to fully understand the theoretical and practical significance of this work.The paper is divided into three chapters: the first chapter is the background of Bach's chakong;the second chapter is the analysis of chakong;the third chapter is the analysis and Enlightenment of chakong.