Research On Stage Changes Of Xiuruji

Xiuruji has changed a lot since it was staged on the Kunqu stage in the middle of Ming Dynasty.This article is to reveal the change situation through the compilation and comparative study of 33 kinds of literatures and music scores related to each generation.In the performance of Xiuruji in the Ming Dynasty,no-makeup singing in the literary world is as important as stage performance.Anthologies by literati are used for no-makeup singing without binbai,deleting yinqu and folk songs,and changing certain lyrics to make the sentences smooth and rhymed.The folk anthology is a record of this stage.Both binbai and kejie are relatively complete and even added appropriately.During this period the stage performance of Xiuruji had preliminary development,but to a limited extent.In the Qing Dynasty,the performances of Kunqu were mainly in the form of zhezixi.And type of roles become more and more.In this period the performance of Xiuruji is showing a new look,which is characterized by emphasis on performance,binbai becomes more and more,and popularization.Due to the large number of transcriptand and most of them are from folk,the errors of lyrics have increased greatly.In order to expand the capacity of the zhezixi and the number of the zhengchangxi,transcripts delete the less important and ideologically repeated songs,delete and merge the songs sung by the supporting role,and reduce the excessive appearance of the songs in one part;On the basis of keeping the lyrics unchanged,the dialogue has been greatly increased,and the plot has been expanded and refined,which enriches the plot and at the same time uses dialogue to describe the character's personality;And the language is more popular.On the whole,the performance of Xiuruji is a process that changes from the whole play to a partial play,the songs change from many to few,the binbai increases from simple to complex,and the stage becomes gradually deeper.