Acceptance And Influence Of The Boudoir Poet In Edo Period

For a long time,Chinese poetry,in addition to its literary character as "poetry",also maintained the homogeneity of East Asian civilization through its uniform writing norms and language.Chinese poetry is the necessary cultivation of the literati,the messenger and the literati through the singing of Chinese poetry,in diplomacy used to connect the bridge between the "world with the same text".The Edo era has reached the heyday of Chinese poetry,Confucianism has become an independent study,and Chinese literature has also been Japaneseized,which has had a great impact on society.With the economic development and cultural prosperity of the Edo era,Chinese poetry ushered in its heyday,Chinese poetry is becoming more popular and civilian,the creators are no longer limited to high-level sage and monks,women and civilians are also actively involved in the creation of Chinese poetry.From the past research,the study of Chinese literature in the Edo era mainly focuses on male Confucian scholars and cultural people.The research of women's literature is mainly focused on the "kana literature",and the research on female Chinese literature is not much.In recent years,more and more research has been made on the East Asian Chinese cultural circle,but the research on the boudoir poet in the Edo era is still very little,and the research object is also concentrated on the three people of Saikou Ema,Kouran Yanagawa and Saihin Hara.In this paper,The two Boudior poets mentioned in this draft,Rancho Yokoyama and Ranwan Yokoyama,live in the strong cultural atmosphere of The Kaga,with a high cultural literacy.The Yokoyama family can also become a representative of the cultural family of the Edo era,but no research in this area has been mentioned.This paper is divided into five parts.The first chapter briefly introduces the research background of the boudoir poet and the research on the boudoir poet at china and abroad,and puts forward that this paper will discuss the female image,family and social role of the poet in the Edo era from different angles from the previous research on female literature.The second chapter mainly discusses the new poetic style of the fresh disposition of the Edo era and the education and poetic creation of the two people's living regions.Introduces the academic background of the era where the poet is located and the Chinese literature tradition of Rancho Yokoyama and Ranwan Yokoyama lived.The third chapter uses historical documents and poems by Rancho Yokoyama and Ranwan Yokoyama to discuss in detail the emotions and social conditions contained in their poems and essays,and summarizes the female images of the two women.The fourth chapter is spread out from the poetry of Rancho Yokoyama and Ranwan Yokoyama,and analyzes the acceptance of The Edo Society to the boudoirpoet,and lists its different characteristics from the Ming and Qing Dynasties and the Korean poets of the Li Dynasty.The fifth chapter mainly uses the method of sociology to analyze and describe the influence of the boudoir poet in the Edo era on the family and society of the Edo era.