The Appearance Beauty Of Guzheng In Ancient Chinese Literati's Works

Guzheng,as one of the important national musical instruments in China,has a profound history and rich cultural value.With the rapid development of contemporary economy,art and culture also show vigorous vitality.The social influence of Guzheng is increasing day by day,and most Guzheng learners pay more attention to the guzheng performance technique and neglect its cultural connotation,so it is urgent to improve the Guzheng cultural status.In the long river of history,the literati have always been devout and appreciative of art and culture.Intangible,they have played a huge supporting role in recording the history of the development of Guzheng,and even promoting the development of Guzheng.From the perspective of the literati,the author conducts a research on the rheological inheritance of the zheng.This article is divided into five parts based on the history of ancient development.The first part is an overview of the zheng instrument in the pre-Qin period.According to relevant historical data and literature,the development of the zheng instrument in the pre-qin period was at the stage of tooth development.Unique characteristics.By exploring the historical origins of the zheng instrument in this period,it can lay a solid foundation for the subsequent study of the zheng instrument by the literati.The last four parts are the study and exploration of the beauty of the zheng instrument in the four periods of the Han,Wei and Six Dynasties,Tang,Song,Yuan,Ming and Qing dynasties.During the two peak periods of the development of the Zheng instrument in the Han,Wei and Six Dynasties and the Tang Dynasty,the writers of the Song Dynasty also had a bit more understanding of the Zheng instrument.In the three historical periods,the zheng instrument has been continuously improved and has its own characteristics.The Han Dynasty,Wei Dynasty,and Six Dynasties zheng wares are full of noble and sacred beauty,the Tang Dynasty zheng wares exude beautiful beauty,and the Song dynasty zheng wares have the beauty of both elegance and vulgar appreciation.At the same time,literary works during this period also exuded a splendid brilliance.Later,the zheng instrument became stable and there were fewer representative literary works.Therefore,the author integrated the characteristics of the zheng instrument in theliterati writing of the Liao,Jin,Yuan and Ming and Qing Dynasties,and summarized the beauty of the multiple integration of the zheng instrument in this historical period,and summarized it as the fifth part.Not only can the beauty of the kite be explored from the literati's writings,but also the ingenious association of the ancient instruments such as zheng,ceremon,harp,and phoenix scorpion from related works.It also summarizes the historical status and social influence of zither instruments from literati works.Through interdisciplinary research methods,to gain insight into the beauty of the zheng from the perspective of literati and to promote the aesthetic consciousness of the zheng to the contemporary guzheng players.Music works cannot be full without cultural foundation.Most modern zheng music works are based on the poetry of the literati.Only from the perspective of the literati,a deeper understanding of the development of the zheng can help the zither learners to integrate the cultural connotation of the guzheng works into the actual performance.