| In the long history,the Mongolians who "lived by water and grass" gradually formed unique folk customs,such as costume folk customs,food folk customs,wedding and funeral marriage customs,etc.,and gradually formed a strong Mongolian national style.Folk landscapes in Mongolian-themed movies are not only a record and transmission of Mongolian culture,but also a step on the world stage when Mongolian folk culture is on the world stage.Folklore landscape interprets Mongolian culture through a special way of film.This article takes the folklore landscape of Mongolian themes as the research object,and uses the movie of Mongolian themes as the carrier,combining the theories of cinematography,art,folklore,and film anthropology.Read specific texts,analyze how the Mongolian-themed movies are classified and expressed,explain the narrative role and aesthetic value of Mongolian-themed movies,summarize and summarize the reasons and improvements of the insufficient display of Mongolian-themed movies ’folk-custom landscapes Methods,and strive to contribute to the field of Mongolian film research.In addition to the introduction,the main content of the article is divided into four chapters.Based on the research results of folklore theory,the first chapter discusses the economic folklore,social folklore,faith folklore and entertainment folklore,and analyzes the specific folk landscape in the Mongolian movie.The second chapter explores the narrative function of Mongolian-themed film folklore landscape,and conducts in-depth and detailed analysis from three major directions: promoting the development of film plots,rendering the emotional atmosphere of film and television,and spreading Mongolian culture.The third chapter analyzes the aesthetic value of the Mongolian theme movie folk landscape,divides the Mongolian theme movie folk landscape aesthetic level into four processes: form perception,mental image experience,meaning pursuit and spiritual transcendence,and analyzes the Mongolian theme movie folk landscape landscape has Two major aesthetic styles of mysterious romance and moving people.The fourth chapter is the full text of the summary,induces the causes of deficiency of the Mongolian folk landscape film show have not creators,folk customs show the superficial and folk show repeated,based on this,from the break through the old creation idea,based on mining folk culture and folk life expression connotation of Mongolian folk landscape film put forward improvement measures. |