| Jungar Zhao is a local temple in the village of Jungar Zhao,located in the southwest of Jungar Banner,Ordos.In addition,it is also called Zhao Miao by the Mongolian people.Therefore,the local people call it XiZhao.It has developed into the largest and most complete preserved temple in Ordos City,with a history of nearly 400 years.It belongs to the typical Gelug Temple of Tibetan Buddhism.The main research object of this paper is the three rituals and the situation of the voice of Jungar Zhao calling.The voice of Jungar Zhao calling rituals is the main carrier of ritual activities.It integrates rich religious cultures and life customs into one.Therefore,it is necessary to integrate the knowledge of sociology,ritual,anthropology,folklore,religion and other disciplines into it.From the perspective of ethnomusicology,the use of the relevant theories and methodology of ethnomusicology,the three-dimensional research mode of concept,behavior and voice of Merriam and the dual research identity of insider and outsider have been guiding the writing of this paper.The paper is divided into seven parts: introduction,overview,three cases of ritual sound,characteristics,functions,inheritance,protection and conclusion.The introduction part includes the reason for choosing the topic,the object and purpose of the study,the current situation of the study and the new ideas of the paper,etc.The text makes a general introduction to Jungar Zhao and Jungar Zhao tourist area to explore the historical changes of Jungar Zhao.Having many investigations and data collected in the field as the case,this paper makes a detailed introduction to the holding of the three ceremonies and the Jungar Zhao calling ceremony culture,takes further studies on the Jungar Zhao calling ceremony voice in the local culture,and makes a comparative analysis of the music noumenon in the three ceremonies.Through the sound phenomenon and the two dimensions of time andpace,comparative analysis of the two aspects is made vertically and horizontally in the paper.Then we can deeply understand the special value and social function of ritual sound and try to reveal the deep reason of music culture.Finally,the protection and development of intangible cultural heritage are discussed,and the conclusion of the paper is drawn in the above research.During the search of Jungar Zhao,I have found there are a few papers about the introduction of Jungar Zhao temple and the dance of Chama,but there is no research on Jungar Zhao from the aspect of ritual sound.Therefore this paper mainly uses the research theory and method of ethnomusicology to analyze the ritual and sound of Jungar Zhao from the aspect of Ritual Sound.And it is my own wish to contribute to the protection and inheritance of national intangible cultural heritage and ritual sound. |
