On The Aesthetic Style Of Music In The Middle Tang Dynasty

In the middle Tang Dynasty,from the beginning of Dali to the end of Dahe(766-835),there were sixty-four years.In the Tang Dynasty after the "heyday of the Kaiyuan era",the prosperity of national power brought about the complacency of the ruling class.The first clue was that the prosperity was bound to decline,and soon the rebellion of an Shi broke out.In the process of pacifying the rebellion,the internal friction of the Tang Dynasty was more serious,and it was greatly impacted in the aspects of ideology,politics,economy,culture,etc.the scene of the golden age no longer existed,and it changed to the middle Tang Dynasty.Such a gap from prosperity to decline was first captured by the scholars between the court dignitaries and ordinary people,and displayed in the fields of poetry,music,dance and other arts.As the carrier and inheritor of culture,the scholar class can not only touch the aesthetic style of the ruling class,but also understand the aesthetic trend of the common people.The literati's aesthetic embodies the culture of the time,and their works,poems and notes become the carrier of their aesthetic style.Therefore,the music and dance form of the literati class reflected the aesthetic trend at that time to a certain extent.From this perspective,the author studies and analyzes the aesthetic style of music in the middle Tang Dynasty.Through the interpretation of previous research results,the author found that there are few articles from the perspective of aesthetic style.This topic takes the scholar stratum in the middle Tang Dynasty as the research object,takes the aesthetic style as the starting point,makes an in-depth analysis of the tomb murals and the poetry music and dance in the middle Tang Dynasty,further summarizes and summarizes the aesthetic style of the music and dance of the scholar stratum,so as to explain how it formed and had an impact in the history of the Tang Dynasty.