Post-Human Cognitive Forms In Cyberpunk Movies

Since its birth,Cyberpunk films have attracted a lot of fans with its avant-garde,heterogeneous motifs and fascinating story elements.After entering the twentieth century,they have entered the mainstream cultural vision with an attitude that cannot be ignored.Correspondingly,the concept of "post-human" accompanied by the emergence of computers and information technology marks the decomposition and even the end of cyber culture on subjects with autonomous rationality,further expanding the theoretical space for people to discuss technical ethics and subjective cognition.This study starts with the main story elements and narrative models of Cyberpunk movies.Later,the fragmentation of human subjectivity and decentralized cognitive forms are used as clues.There are three story models: Cyberspace,Cyberbog,and metanarrative stories.Starting from an angle,it makes a graphical and comprehensive depiction of post-human cognitive forms in cyberpunk movies.First,from the perspective of existential philosophy,cyberspace metaphors the post-human’s overall understanding of the way of self-existence.Cyberspace as an image re-expresses the coexistence relationship between the individual and the world and different individuals,meanwhile it means that posthumans try to re-understand their own way of existence in a holistic manner,and the limitations brought by this holistic understanding.Secondly,From the perspective of cybernetics and its cultural research theory,as a self-mirror of post-humanity,Cyberberg means the complete disappearance of boundaries and the deconstruction and reconstruction of individual identities.The story types of "humans become cyberbogs" and "cyberbecome human beings(personality)" in cyberpunk films disrupt the boundaries of individual consciousness and the boundary of body-consciousness.Therefore,Cyborg overthrew the traditional and psychoanalytic origins and became a contemporary myth used by post-humans to explore the origin of consciousness.Post-humans tend to understand individual identity as a state of ego that is constantly being reconstructed and is being generated.Finally,From the perspective of narratology,Cyberpunk films realize the metalepsis of text through the layered structure of interactive media and text itself,and on this basis,it displays a meta-narrative tendency of post-human discourse.The cognitive model established by posthumans on this basis reflects their pursuit of metacognition of the world and the self,as well as its deconstructed and decentralized cultural logic and thinking mode.Cyberpunk film is a post-human self-reflection based on the era environment.It studies the close relationship between cyberpunk film and the cognition of the era.Film works are conceptually instructive.