On The Transformation Of Chen Zhongshi's Novels

This article mainly takes Chen Zhongshi's novel creation before "Bai Lu Yuan "(including " Bai Lu Yuan")as the discussion object,explores how Chen Zhongshi,the writer,separated himself and realized his transformation step by step in the long literary life.Chen Zhongshi started with "literature of the Cultural Revolution ",experienced the creative road of " socialist realism " in the new period,and finally firmly wrote the big book " Bai Lu Yuan " of " cushion coffin as pillow " in the writing method of realism.Along the way,he experienced two major changes,which contained rich contents.This article will be divided into three parts to discuss,combing Chen Zhongshi in different creative periods of novel creation patterns,analyze its transformation process.This paper investigates Chen Zhongshi's "Four-part of the Cultural Revolution" and analyzes its creative characteristics during the "Cultural Revolution" period.Under the dual role of the literary theory of "Cultural Revolution" and the politicized novels of "Seventeen years ",Chen Zhongshi carried out the initial literary discipline with the political ideological novels.His novels at this time show the stylized narrative characteristics of class line struggle and show absolute obedience to political policy,but this way of blindly shouting for political policy also causes its text story to produce the logic problem which is opposite to politics,and finally appears the political position mistake in "fearless ".At the same time,under the influence of Liu Qing's creation,Chen Zhongshi's village is also presented a side of daily life.He reflected the life experience in the text,expressing the country's human lover nature.But on the whole,the narrative characteristics of his period of "Cultural Revolution" were political ideology,and class theory was the way of his cognitive expression of literature.At this time his creation has been relatively mature,solidified literary aesthetic way accompanied him into a new period.To explore how the socialist realism creation in the new period of Chen Zhongshi experienced transformation.At the beginning of the new period,Chen Zhongshi followed the trend of "scar literature" to create "trust ",to get rid of shame into the literary world of the new period.And this time the political policy is not clear,the habitual political identity psychology and the "Cultural Revolution" creative habits determine that it must be guided by political policy,so,Chen Zhongshi through the way of problem shelved fuzzy "Cultural Revolution" to explore the root of the problem to obtain political security,so as to achieve the stability of the new period of creation,began to explore the new period of creation.Political transition,the new literary requirements of shaping "socialist new people" were put forward.The continuous relationship with the new person's image of "seventeen years" determines the dilemma of the new person's concept itself in the new period,which directly limits the development space of the socialist realism road.Chen Zhongshi's creation of new rural people also bears the new concept of their own problems.At first,he created new people in the new era by the way of "seventeen years ",and took root in the rural areas with the revolutionary ideal,but with the increase of the difference between urban and rural areas and the change of the mental psychology of contemporary youth,the story of taking root in rural areas is out of date.As a result,Chen Zhongshi's new rural people began to change,realizing the transformation from leaving the countryside to leaving the earth into the city.Humanism consciousness is gradually strengthened,while the national consciousness of the new socialist needs to be lost.Chen Zhongshi's self-tear of the new rural people eventually makes it deviate from the new era to shape the concept of "new socialist" requirements.He had to adjust his creative path of socialist realism to a new exploration.To explore the cultural psychology of Chen Zhongshi in the mid-1980 s.The environment of "cultural fever" in 1980 s provided Chen Zhongshi with a cultural mirror and began to enter the level of "history —— culture" from the level of "politics — — society ".The novel "Kangjia small courtyard" brings Chen Zhongshi's vision to the depth of history,explores the problems existing in both sides in the process of modern civilization infecting traditional civilization,and thus begins his road of historical and cultural inquiry.At the same time,the realistic writing method he adhered to faced challenges in this period,and the controversy between modernism and realism influenced him,which prompted him to find a way out of realism and find a more flexible and richer realism.Therefore,Chen Zhongshi began to explore in the short and medium-sized novels,with realistic creative techniques to reflect on the question of human nature under the collision of tradition and modern civilization in the realistic and historical perspective.This promoted the creation of "Bai Lu Yuan ".The search for the roots of national culture and Li Zehou's theory of cultural psychological structure provide resources for Chen zhongshi's creation.Finally,Chen Zhongshi takes Bai Lu Yuan's culture psychology to grasp the national culture psychology structure,and looks into the overall form of traditional local culture with Confucian culture as the core which is accumulated in rural China,so as to express his reflection on traditional Confucian culture...