The Research On Director Naoko Ogigami From Eco-feminism's View On Nature

At the end of the twentieth century,represented by new directors such as Takeshi Kitano and Shunji Iwai,the Japanese new film movement caused a sensation in the Japanese and even the world films circle.Besides,Japanese female directors also emerged in this wave of films.As one of the most prosperous Japanese independent movies,Japanese female director Naoko Ogigami,who returned from her studies in the United States,directly moved people's hearts with her healing and refreshing image style and the expression of the combination of eastern and western culture.By using the creative techniques with eastern aesthetic characteristics,Naoko Osamu expresses the characters and stories that act against the Japanese tradition,conveying the concern for individuals and core thinking from women and nature to create a world full of freedom,equality and harmony relationship between man and nature.Naoko Ogigami has always insisted on self-expression,not only from Helsinki to Toronto,but also from the Lohas Group on the South Island to the transgender people in the city.In terms of the strange characters,witty and even absurd stories,self-styled daily style and natural aesthetics,and heartwarming stories,through the in-depth discussion on the human spiritual world,they have been widely loved and supported by the audience.Naoko Ogigami's films coincide with the ecological feminism theory which rose in the 1970 s.In the process of opposing patriarchy,by connecting the content of ecological feminism,feminism advocates the unique relationship between women and nature should be discovered and established to reconstruct the relationship between human beings and ecological environment.In the contrast with the alienated,commercial and conflicting world of patriarchal society,Naoko Ogigami's film world reconstruct the relationship between man and nature,creating the ultimate concern of human harmony,care for women and nature,eliminate prejudice,racial discrimination and class oppression.Aimed at the ideological content,text narrative,lens language and picture aesthetics of Naoko Ogigami's films,by using the theory of ecological feminism,this paper will make the integration and comb for it,and comprehensively analyzes the ecological feminist expression and individual artistic creation style of Naoko Ogigami's works.