The Research Of The Ecological Feminist Literature In China

Ecological feminism is the third stage of feminism development, appeared in the 1970s, proposed for the first time by the French scholar Francoisd' Eaubonne in 1974, after the 80s,especially the 90s, the ecological feminism expanded rapidly, and US's research is the most advanced one, its purpose is to advocates a kind of harmoniously new relationship between man and man (male and female), man and nature. In the late-1990s, China's female educational world has absorbed this new guest "ecological feminism", simultaneously introduced this new emerging literature named ecological feminist literature.No one conduct a thorough research on this new emerging literature in China, this article attempts to take the ecological feminism's core word "harmony" as its breakthrough point to study the Chinese ecological feminist literature. This article utilizes the methods of getting-to-the-bottom, contrastive analysis and synthesizes and so on to conduct the research, and divided this article into three parts. The first chapter illustrates the possibility and inevitability of ecological feminist literature's developing in China. The second chapter follows the 20th century's female literature to explore the origins of Chinese ecological feminist literature' consciousness through the study of the evolution of the female consciousness of Chinese women. Starting with the texts of foreign ecological feminism, the third chapter analyzed and summarized the creative theme of ecological feminism literature, and searched theme-related ecological female works.The 21st century is the century of ecological civilization, our country is actively building a harmonious society, "returning to harmony" will certainly become the main theme of the current evolution of female literary's theme. By refreshing all the studies, this article found that women ecological literature has been sprouting in China, but the number of such texts is very limited, and most of the writes wrote this sort of texts unconsciously. I hope this article can lead domestic writers of female literature to the concerns of this new emerging literature, and call for more "green people" to write articles on harmony consciously.