Who Knows My Affections And My Melancholy Heart When The Flower Is Fallen

As a common theme of chanting in Chinese classical poetry,Scattered Flower Poetry refers to poetry with the theme of "Scattered Flower" or the main content.The chant of Scattered Flower Poetry began during the Pre-Tang Dynasty and became the Song Dynasty,resulting in many famous sentences.From the Pre-Tang Dynasty to the Ming Dynasty In the Qing Dynasty,Scattered Flower poetry not only formed a rich theme including sadness of the spring,mourning,self-experience,and sorrow of dynasty changes in the creative practice of literati in the past,but also the scale of creation continued to expand.In the poems and gifts between scholars,such as Shen Zhou,Tang Yin,Wen Zhengming and others,the creation of Scattered Flower Poers often has hundreds of creations in the whole process.During the period of the late Qing Dynasty and the Republic of China,the creation of Scattered Flower Poetry once again emerged in great numbers.The literati in the late Qing Dynasty and the Republic of China,which were in the tremendous transformation that has not been seen for thousands of years,often borrowed the creation of Scattered Flower poetry to express their twists and turns in turmoil and reform With the emergence of modern newspapers and periodicals,some of the Scattered Flower Poeyrt creations in the late Qing Dynasty and the Republic of China have further expanded in scale and influence compared with the previous generations.The thesis is divided into five parts.The introductory part defines the research object of the thesis and the main concepts involved,and briefly reviews the previous research status.The first chapter mainly discusses the creation of Scattered Flower Poetry from the Pre-Tang Dynasty to the late Qing Dynasty At a glance,it briefly describes the themes formed by Scattered Flower Poetry in the past.The second chapter to the fourth chapter select three representative cases in the late Qing Dynasty and the Republic of China.They are the works of Shen Zongji and other poets in the late Qing Dynasty and the 20 th century.The works of Wu Mi and others in the 1920 s and the works of Yuan Siliang and others in the late 1930 s.By describing the process of the creation of Scattered Flower Poetry and the origin of the creation of Scattered Flower Poetry,the three groups of literary responsory and the hidden rhetoric behind it are specifically discussed The conclusion part further explains the similarities and similarities behind the three groups of Scattered Flower Poetry on the basis of the full text of the review,and points out the possibility of continuing research on the Scattered Flower Poetry and the hidden rhetoric in the late Qing Dynasty and the Republic of China.