| The Study on The late Qing Dynasty and the early Republic of China's Drama Poetry is a very noteworthy aspect.Although drama poetry have been exist for along time,with the drama became moru popular in late Qing Dynasty,the number of drama poetry,the connotation and features are far ahead generation.From these poems,we can get informations about both social history and traditional dramas,and also,the thought of the scolars.In this thesis.There are three chapters in this thesis.The first chapter mainly analyzes the background and special books of the drama in the late Qing Dynasty and the early Republic of China.The general situation of the drama in Beijing and Shanghai in recent years is briefly discussed,and the tradition and mentality of Huapu in the Qing Dynasty by the writers and actors in the Qing Dynasty are analyzed as the paving for the poetry of this period.In the second chapter,there is a close relationship between dramer and history.The author often describes the content in the play and expresses emotion by writing the angle of the epic,which makes the poetry of the drama more rich.At that time,the author was a group of people with the highest level of creation.The rich learning and cultivation added to the unique feelings of life and history,which deepened the meaning of the poetry of chanting opera.This section focuses on the remains of the people in the operas.In addition,it also enumerates examples of the Changhe.Although Zhuzhi poetry is popular folk literature,it contains lots of information about drama.Its unique value is worth exploring.In the third chapter,the characteristics and significance of the poems of chanting opera in this period are summarized.The key analysis is the poems from adherents of a former dynasty and their mentality.Finally,it summarizes its style and features,makes a fair evaluation,and analyzes the value,significance and influence of thedrama in late Qing Dynasty and early Republic of China. |
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