Ecological environment is a global issue,and ecological aesthetics has become a global hot topic.Chinese scholars pay more and more attention to ecological aesthetics.Zeng fanren is a leading figure among Chinese ecological aesthetics researchers.He is very keen on the ecological environment,and his research on ecological aesthetics is comprehensive and profound.In the process of equal dialogue and communication between China and the west,he has formed a unique ecological ontology aesthetics ideological system with Chinese characteristics.His ecological aesthetics has a solid theoretical foundation and strong practicality,and has an important impact in both academic theory and practical practice.The practical requirements of zeng fanren’s ecological aesthetics are consistent with the construction goal of "beautiful China" in the new era,aiming at realizing the beautiful vision of green mountains and clear water surrounding the motherland and harmony between man and nature.In this paper,the study of Zeng Fanren’s ecological aesthetics is divided into three parts except for the introduction and conclusion: firstly,the theoretical source of zeng fanren’s ecological aesthetics is discussed,which is the most basic research content and the basis for other studies.Zeng fanren’s ecological aesthetic thought has a wide range of theoretical resources and a specific theoretical direction,drawing on the ecological aesthetic thoughts of Chinese and western cultures,such as Marx and Engels,heidegger,western environmental theorists and the ecological aesthetic wisdom of Chinese Confucianism,Taoism and Buddhism.Secondly,the paper discusses the main connotation of zeng fanren’s ecological aesthetics,and takes the theory of ecological existence as the main line,which combines the basic categories of "ecological aesthetic nature","poetic dwelling" and "home consciousness".The method of phenomenology is used to study ecological aesthetics,from the outside to the essence,from the individual to the whole,to form the theory of ecological holism,to treat the whole ecosystem aesthetically,and to inhabit the earth poetically.At last,the paper discussesthe practical expansion and significance of zeng fanren’s ecological aesthetics in reality,which is also the value of this paper.The application of his ecological aesthetics in practice is respectively reflected in the ecological aesthetic interpretation of classic works,the advocacy of the new era’s simple lifestyle and the promotion of ecological aesthetic education.Zeng fanren’s thought of ecological aesthetics originates from reality and will eventually guide the construction of ecological civilization and promote the transformation and development of Chinese aesthetics. |