The Characteristics And Aesthetic Treatment Of Mongolian Style Music In The Unaccompanied Chorus "Gada Far Away Swan Goose"

Unaccompanied chorus Garda--the far away swan goose is one of the oratorio in Gada Meiren written by Inner Mongolia composer Li Shixiang.This paper mainly analyzes the features of Mongolian style music in the unaccompanied chorus “Garda-gone swan goose”and the artistic treatment.This analysis of the unaccompanied chorus Garda-the far away swan goose is based on the heroic story of Mongolian hero.The genre comes from the western countries,but the composer combines the two cultures of China and the western countries,showing a totally new picture.Traditional Chinese mode and Mongolian folk song Gada Meiren are used as melodies in the work,while western classical harmony is used as embellishment.The most distinctive feature of the song is the organic integration of long notes and chorus,which creates the music effect of Mongolian traditional music art form "chao Lin dao",while there is no lack of new idea.After a certain ontological analysis of music of unaccompanied chorus Garda--gone swan goose,the author briefly discusses the artistic treatment of Mongolian style music of unaccompanied chorusGarda--gone swan goose on this basis.In the presentation,he combined some viewpoints discovered by the author in the practice of choral conducting,mainly based on "hearing","feeling" and "seeking".An excellent chorus conductor must have a certain understanding of music and can describe the emotion and connotation of music in a way of language statement.Only in this way can the chorus members understand music more quickly and deeply,which is embodied in the introduction of the "picture" mentioned in this paper,and feel music in the "context".