The Study Of Chinese Minority Chorus Art

In the process of modernization and social transformation,Chinese ethnic minority choir art has shown a new trend of development,with a large number of excellent choral works and interpretation teams emerging,including singers,composers,conductors,choirs,etc.Mature ethnic minority choirs and choral works that have developed rapidly.such as those of Mongolian,Zhuang,Miao,Dai,Yi.etc.,frequently appear on the international stages,making China’s national voice heard by the world.They become important artistic bridges to promote China’s ethnic and traditional culture and also showcase China’s cultural confidence magnificently.This paper takes the ethnic music elements in the composition of ethnic minority choirs as the starting point and focuses on the excellent representative works of Mongolian-style choirs and Mongolian composers as the main objects of discussion.Through the analysis and interpretation of their representative works,as well as the study of professional teams,we aim to explore the regional style and ethnic characteristics of these ethnic minority choir arts.Hopefully,this would make a modest contribution to the career of ethnic minority choir and promote the stage interpretation and conducting art of ethnic minority choir works.This paper consists of an introduction,five chapters,and a conclusion.Chapter One briefly outlines the development of Chinese choral art,as well as the ethnic minority elements and language attributes in early choral composition.Chapter Two explores the "grassland" elements,historical characteristics,and artistic attributes in Mongolian-style choir art.Chapter Three focuses on discussing Mongolian-style choral works and composers,and analyzes six classic Mongolian-style choral works from the perspective of conducting interpretation.Chapter Four elaborates on the training and development models of two representative Mongolian professional choirs,Inner Mongolia Mongolian Youth Choir and Teenage Choir,and provides inspiration for conductor interpretation from the aspects of choir timbre design and work style.Chapter Five provides a reflection and summary of the current situation of ethnic minority choir,and provides experience for its further development.The Conclusion section first reviews the development process of Chinese ethnic minority choir art,showcasing the characteristics of ethnic minority music elements through representative choral works of Mongolian-style and artistic presentation of conducting style.It then summarizes the development experience and proposes suggestions and thoughts on the overall direction of the development of ethnic minority choir art in the future.