The Inheritance And Transformation Of Lu Hong’s "Pictures Of Thatched Cottage" In Ming And Qing Literati Paintings

Lu Hong was a well-known hermit during the Kaiyuan period of the Tang Dynasty.His "Pictures of Thatched Cottage",also known as " Ten Poems’ s Pictures of Thatched Cottage" or "Pictures of Song Mountain Thatched Cottage",are landscape paintings showing his secluded life,which created a precedent for the Chinese landscape paintings that depicting the cottages,and has a natural connection with Chinese literati painting.Chinese literati paintings in the Ming and Qing Dynasties was an important period of transformation.Due to the appearance of Lu Hong’s "Pictures of Thatched Cottage" in the Ming and Qing Dynasties,literati paintings also has taken on a different look.The purpose of this article is to reveal the inheritance and transformation of Lu Hong’s "Pictures of Thatched Cottage" from different angles in the Ming and Qing literati paintings.This article is mainly divided into three parts.The first part is the first chapter,which mainly introduces Lu Hong’s special status of "hermit" in Tang Dynasty.Taking Taipei Tibetan Version as an example,it analyzes Lu Hong’s "Pictures of Thatched Cottage" in terms of pen and ink,schema,form,and spirit.The second part is the second chapter,which mainly discusses the relationship between Lu Hong’s "Pictures of Thatched Cottage" and Chinese literati paintings,and summarizes its spread in the Ming and Qing art circles.The third part is the main part of this article which includes the third chapter to the fifth chapter.It analyzes in detail the relationship between inheritance and transformation of Wumen Painting School,Xiang Shengmo,Dong Qichang,Wang Xi,Wang Yuanqi and other Ming and Qing painting schools or important figures.The Wu Men School borrowed from the "Hermitage Schema" of the "Pictures of Thatched Cottage",and found the self-expression mode of the mind through the "Pictures of Thatched Cottage".Xiang Shengmo inherited and transformed Lu Hong’s "Pictures of Thatched Cottage" from pen and ink to spirit,and was unique in the Ming and Qing painting circles.Dong Qichang and Wang Hui and Wang Yuanqi of the "Four Wangs" traced Wang Wei andthe popular charm of Tang from Lu Hong’s "Pictures of Thatched Cottage",establishing the "orthodox" scheme of literati painting.In the end,this article concludes from different dimensions the conclusion that Lu Hong’s "Pictures of Thatched Cottage" has important influences on literati paintings in Ming and Qing dynasties in terms of spirit,pen and ink form,and schema,and it is concluded that Lu Hong’s "Pictures of Thatched Cottage" helped Ming and Qing literati to maintain the fundamental characteristics of literati paintings,and to find a new language for the art of literati painting.