Influence Of Chinese Academy Painting On The Modeling Language Of Yangzhou Shanzi Sculpture In Qing Dynasty

Yangzhou Shanzi sculpture reach its heyday in the Qing Dynasty,with superb techniques.It expresses the three-dimensional style of Chinese traditional painting,especially the courtyard painting.This paper not only reflects the contemporary people's specific response to the Qing civilization,but also makes a calm and objective examination of Yangzhou Shanzi sculpture art from the perspective of a painting practitioner.Therefore,the study of this kind of influence can not only perfects the theoretical basis of Yangzhou Shanzi sculpture in Qing Dynasty,but also broaden the scope of the study of Chinese excellent traditional culture and exert the depth of its study.The second chapter discusses the artistic features of Yangzhou Shanzi sculpture in Qing Dynasty,which are realistic,indirect and commemorative.Realism is what we can see intuitively,indirectness is the specific implementation process of realistic expression,and memorial is an internal communication.Through the symbolic meaning of such language symbols as painting and carving,it really conveys the author's true intention,is the carrier of thought,and has the function of allegory.The third chapter is the focus of the paper.This paper discusses how the Chinese Academy painting influence the realism of the modeling language of Yangzhou Shanzi sculpture in Qing Dynasty.In terms of composition,Yangzhou Shanzi sculpture in the Qing Dynasty use the three-way method.In perspective,the Qing Dynasty Yangzhou Shanzi sculpture adopts the far and near method of multi-point perspective to deal with the spatial relationship.In terms of techniques,Chinese Academy painting had an impact on the carving techniques of mountains and rivers,flowers and birds,and figures in Yangzhou in the Qing Dynasty.Finally,the paper discusses the influence of Chinese Academy painting on the aesthetic pursuit of Yangzhou Shanzi sculpture in Qing Dynasty.In order to show the self-confidence and upward spirit of a great country in the Qing Dynasty,Yangzhou Shanzi sculpture in the Qing Dynasty took the pursuit of both form and spirit and the relaxation of rhythm as its aesthetic criterion.Figure55;Table5;Reference 41...