Research On Artistic Concept And Practice Of Yang Songlin's Langdscape Oil Painting

The case study of individual artists can be regarded as the ontological problem of art.It is not only academic and typical,but also of literature research value and practical significance to put the painting creation practice of older artists into the contemporary context.Mr.Yang songlin is quite representative of the older generation of Chinese artists.His landscape oil paintings have exerted an important influence on the art field in jiaodong and even the whole shandong region.Therefore,the author chooses the oil painter Yang songlin as the research object.Yang songlin(1936--),born in nanjing,jiangsu province,is an outstanding oil painter and an important figure in the field of shandong culture and art.In 1955,Mr.Yang was admitted to shandong normal university from his hometown nanjing.From 1982 to 1984,he studied in the first oil painting workshop of the central academy of fine arts,which enabled him to have rigorous modeling ability and extensive artistic accomplishment,and made outstanding achievements in the field of landscape painting and sketching.The individual fate of artists is closely related to the fate of the country and the nation.Through individual case studies,it can touch on and reflect the analysis of the development and transformation of the country,society,art trend and artists in the field of culture and art in the course of The Times.In order to systematically and deeply study the artistic value and realistic significance of Mr.Yang songlin's landscape oil painting,the author focuses on his landscape oil painting works based on his artistic experience and art practice.The social background and cultural environment for the formation and development of the style,the aesthetic characteristics of the artistic language,the contribution to the development of shandong oil painting,and the reference significance for the development of the current oil painting art are summarized from the aesthetic representation and macro context of the work.The paper is divided into seven chapters: the first chapter introduces the purpose,significance,literature review and research methods of this paper.The second chapter is an overview of Yang songlin's landscape painting.The third chapter discusses his early landscape paintings.The fourth chapter analyzes and discusses the exploration of landscape painting from the aspect of painting theme.The fifth chapter is an extendeddiscussion from the concrete aspects of Yang songlin's landscape painting.The sixth chapter discusses the connotation of his landscape paintings from the aspects of observation of nature,embodiment of personality,local characteristics,nationalization and times.Chapter 7 is the conclusion of this subject.This paper mainly uses the methods of imagography,literature review,art sociology,interview,etc.,to make a comprehensive analysis of Yang songlin's landscape oil paintings and artistic language,so as to interpret Yang songlin's artistic concept.In a word,for Chinese contemporary artists,only by inheriting and innovating the "brush and ink connotation" in the oil painting landscape,can they achieve substantial gains on the road of artistic exploration with a long way to go.This topic provides an inspiring art model for the current art creation,and also benefits many students.Therefore,the case study on Mr.Yang songlin is of great academic significance.