| The 12 th National Art Exhibition,held in 2014,is one of the most important exhibitions in the field of art creation in China in the past decade.Among them,watercolor painting works have a wide range of subjects,rich decorative languages and high artistic value.Therefore,in the 12 th National Art Exhibition,this paper uses the watercolor works with decorative language as the research object,classifies and combs them systematically,selects typical works,and discusses the decorative language of the works from four aspects of composition,color expression,shape shaping and texture materials.On the basis of analyzing the development of Chinese watercolor decorative language,combined with the current situation The creation practice summarizes the aesthetic characteristics of the decorative language of watercolor painting in the 12 th National Art Exhibition,and provides a panoramic view of the development of the mainstream decorative language of watercolor painting.This paper is divided into five chapters.The first chapter is the introduction,which discusses the relevant research in the field of watercolor decorative language,summarizes the contributions and shortcomings of the existing achievements,and lays a theoretical foundation for the research of this paper;The second chapter explains the formation of Chinese watercolor painting and its decorative language,the basic aesthetic characteristics of the latter,and the general situation of the decorative language of watercolor painting in the 12 th National Art Exhibition,clarifying the specific scope of the study and the overall style of the object;the third and fourth chapters are the main parts of the paper,the former focuses on the composition,color,shape and texture of the 12 th National Art Exhibition The fifth chapter further analyzes the function of decorative language in watercolor painting creation,and makes some thoughts and summary on the decorative language in watercolor painting. |
PDF Full Text Request