| In the period of the Republic of China,there were three main schools of art creation of seal cutting in China.In Beijing,there was qi baishi,a famous calligrapher;in Shanghai,wu changshuo was the leader;in the south,there was the yishan school led by huang mufu.In this paper,on the basis of predecessors’ research,with the seal cutting history of the Republic of China,Yi mountain sent YinXue lingnan regional culture as the background,development history and the seal cutting creation of printed form,into the text,the perspective of seal cutting characteristics and content of the seal surface,the integrated use of literature research,field research,analysis of comparative study methods such as Joe big strong with Yi Ru carving comparative study of the similarities and differences.Through the research found that two people in the art of seal cutting in the shape of the seal,qiao dazhuang mainly square,and yi zui in various forms,such as rectangle,square,round;In the printing text,qiao dazhuang to the gold text,and easy to take more methods,such as gold,pottery,Gwen,coinage;On the characteristics of seal cutting,Joe strong seal wind clean and sharp,and yi zi thick,lively and changeable;On the printed content,both have names,zhai Numbers,notes and poems,but yi added some Buddha statues to enrich the printed content.This paper tries to start from the data left by the two people,to study in various aspects,fill the gap of the comparative study between them,and enrich the selection of the printed text,the arrangement of rules and so on,so that we can have a deeper understanding of the development of printing people in the yishan school.In general,this paper is divided into qiao dazhuang and yi yu’s seal formation process and factors,the comparison of artistic characteristics,as well as the dissemination of the idea of printing and the impact on later generations of seal cutting.In terms of structure,the paper USES the logical relation of putting forward problems,analyzing problems and solving problems.The first chapter is the introduction of the diversification of seal cutting art in the period of the Republic of China.The second chapter briefly summarizes thedevelopment of the art of seal cutting in the Republic of China period.The vigorous development of ancient Chinese calligraphy pushed the seal cutting in the Republic of China period to the peak.Chapter three: the difference between qiao dazhuang and yi yu in this kind of printing style is discussed from the two aspects of learning the way of printing and life circumstances.The fourth chapter analyzes the artistic characteristics of the two characters respectively,from the aspects of character,knife,chapter and so on.The fifth chapter expounds the inheritance and influence of the thoughts of the imprinting of qiao dazhuang and yi yu.It is hoped that the research of this paper can provide practical and academic resources for theoretical research and creative practice of seal cutting. |
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