A Cultural Perspective On The Color Art Of Chinese Martial Arts Films In The New Century

Chinese martial arts films have a deep connection with traditional culture.Among them,Confucian,Taoist and buddhist cultural thoughts have an important influence on the formation of Chinese traditional color concept.Through the application of traditional Chinese color concept,Chinese martial arts films can energize the visual modeling of films by spiritual power of Confucianism,Taoism and Buddhism.inject the cultural spirit power of Confucianism,Taoism and Buddhism into the visual modeling of films.With The innovation of color technology of Chinese martial arts films in the new century,the change of audiences' viewing and aesthetic habits,bring the new century's martial arts films some new characteristics to present traditional culture.In the new century,Chinese martial arts films have carried out modern visual recombination of traditional color concepts and forms,and have presented the spirit of Chinese traditional color arts with the characteristics of new age.Taking the color of Chinese martial arts films in the new century as the research object,this paper focuses on the analysis of the traditional artistic spirit of Confucianism,Taoism and Buddhism,and reflects on the application effect of traditional color culture in Chinese martial arts films in the new century from the perspective of image construction of film and television arts.The first chapter analyzes the Confucian concept in the color of Chinese martial arts films in the new century,mainly from the three visual color styles of thick black,delicate color and warm yellow light,and probes into the social ideal of "no benevolence leads no virtue","no courtesy leads no success" and "universal peace" in Confucianism.The second chapter explains the Taoist spirit of swordsmen films in the new century,and probes into the thought of "learn from nature" reflected in the way of "quality and color".The match of black and yellow color tells the Taoist "Yin" and "Yang" ethics;And white color nothing the mystery of Taoist philosophy of "nothing" and "anything ".The third chapter takes the buddhist perspective in the new century Chinese martial arts films as the research object,respectively perceiving the aesthetic conception of buddhist quietness into zen by the poetic color,the noumenon way of realizing the Epiphany of "Ming" by the philosophical color,and the spiritual concept of "excellence" Buddhism by the metaphysical color.The first three chapters of the paper discuss the artistic spirit of Confucianism,Taoism and Buddhism in the new century'smartial arts films,whichconstitute the main body of the article.The fourth chapter is mainly about the impact of "Confucianism,Buddhism and Taoism culture" on Chinese martial arts films in the new century,and the relationship between color and Confucianism,Buddhism and Taoism culture.In this way,the focus on the the culture of Confucianism,Taoism,Buddhism in the first three chapters can be turned into thinking about the direction of the development of Chinese martial arts film color in the future.