The Art Of Bian Shoumin Painting

Bian Shoumin,as one of the representative painters of Yangzhou painting school in Qing Dynasty,is especially famous for splashing ink and Luyan,and has the reputation of "Bian Luyan "."From the predecessor of the wild goose,sad autumn and love to draw autumn sound ",he wrote the image of the wild goose lifelike,different posture," flying sleep food,each of the gods ",showing the natural naive and dynamic vivid beauty.Luyan is not only the dancing spirit between heaven and earth,but also the projection of self-feeling and spiritual pursuit.This article takes the Qing Dynasty painter Bian Shoumin Luyan subject matter painting as the research center,carries on the research from five aspects:The first part,combing the development of Luyan art;The second part,mainly introduces the social background and the general situation of fine arts before and during the Qing Dynasty,and briefly describes Bian Shoumin's life and artistic experience;The third part,from the composition,modeling,pen and ink to explore the form of Luyan works,the characteristics of the painting language;The fourth part,combined with the traditional culture Luyan meaning,social circumstances and life feelings of the artist,I find out the meaning behind the Lu Yan.We explore the aesthetic implication from the expression of loyalty and love,the sustenance of the people concerned and the expression of life interest;The fifth part,from the two aspects of the Qing Dynasty flower and bird painting and the current generation of flower and bird painting,comb the influence of Bian Shoumin painting art on later generations.Compared with other painters of Yangzhou painting school,the study of Bian Shoumin in art history is less and the evaluation is not high.But our research,taking Bian Shoumin as the representative of ordinary painters in the early and middle Qing dynasties,compared with the research of four kings,four monks,eight strange and so on,is more universal significance for us to understand the art ecology at that time and the survival status of painters.