Study On The Literary Landscape Of Hui Shan In Ming Dynasty

"Literary landscape" is a hot topic in the interdisciplinary field of Literary Geography in recent years.Huishan,as the most important literary landscape in WuXi,has been written by literature since the Southern Dynasty.In the long history of writing,Huishan has completely displayed a "unknown"place outside the world,and how it has gradually become an important part of the Jiangnan scenery volume.In the Ming Dynasty,Huishan literary landscape ushered in the climax of writing and construction.Under the support of many literary works and landscape types,it showed a kind of literary geographical image with complex meaning.This paper focuses on Huishan literature landscape in Ming Dynasty.Through tracing the history of landscape writing,combing the formation process of Huishan literature landscape,understanding Huishan’ s social and cultural imagination in Ming Dynasty,in order to tap the unique value of Huishan literature landscape in literature history and landscape history.This paper consists of three chapters.The first chapter is Huishan and literary landscape,which mainly introduces the basic situation of Huishan and Huishan literary landscape,including the general situation of Huishan’ s natural geography,the evolution of its historical name and the contents of various types of literary landscape.The unique natural conditions give Huishan rich topography,abundant springs and diverse vegetation,give the world full imagination and aesthetic space,create many human legends and landscape types,and provide necessary conditions for Huishan’ s literature writing.The second chapter is the history of the writing and construction of Huishan literature landscape,which investigates the development of Huishan literature landscape before Ming Dynasty.From the germination of the Southern Dynasty,the discovery of the Tang Dynasty,to the prosperity of the Song Dynasty and the decline of the Yuan Dynasty,Huishan’ s literary landscape is constantly changing with the circulation of the times.The literary image of the landscape is also changing from the "place of refuge" of the Southern Dynasty,the "place of transcendence of Gaoyin" of the Tang Dynasty,the "place of leisure and elegance" of the Song Dynasty to the "place of disappointment and sustenance"of the Yuan Dynasty.The collective imagination of Huishan area formed in various times together formed the basis of the literary landscape writing of Huishan in Ming Dynasty,and was the fundamental source of the geographical image of the literary landscape of Huishan in Ming Dynasty.The third chapter studies the literary landscape of Huishan in Ming Dynasty,and investigates several writing types of Huishan literary landscape in Ming Dynasty.Ming Dynasty is the prosperous period of Huishan literature landscape development.Through the specific landscape construction,it leads to the text analysis of different landscape types,and understands the complex literary geographical images of Huishan in the Ming Dynasty society.On this basis,it shows the corresponding regional historical background and the unique value and important position of Huishan literary landscape in the social culture of Xidi.The conclusion of this paper is that Huishan is a special literary landscape in ancient Chinese literature.Its development is influenced not only by the general elements of literary landscape construction,such as celebrities,legends and masterpieces,but also by the accumulation of historical culture.The image of the landscape is not like the literary landscape of Tiger Hill and Zhongnanshan,but only a single symbol of some or "secular" or "Seclusion" The relationship between literary landscape and literature is not a one-sided benefit and a simple bearing relationship,but a relationship of mutual promotion and coordination.