A Study Of The Three Kingdoms Opera In The Han River Valley

"Three Kingdoms" refers to a variety of dramatic works created by folk artists and literati,drawn from the history of the Wei,Shu and Wu Kingdoms and their derived folklore and literature.With its vast territory and numerous local operas,the Han River River basin has preserved numerous plays with themes related to the three kingdoms.The drama of the Three Kingdoms and the famous actors and actresses who play the characters of the three kingdoms have left their mark on the drama stage in the Han River valley.This paper is divided into five parts: the introduction part mainly introduces the background,research status and the basic ideas and methods of this paper.The first chapter is mainly about the classification,repertoire and scripts of the three kingdoms opera in Han River valley.In the upper reaches of the Han River valley,Hanzhong and Ankang in southern Shaanxi are the main areas for the three kingdoms to spread In the middle reaches of Nanyang and Xiangyang,Han Opera,Hubei Yuediao,Nanyang Yuediao and Nanyang Wanbang are popular genres;in the lower reaches of Han River,Wuhan and Zhongxiang are popular genres of Beijing Opera and Han Opera,the San Guo Opera in the Han River valley basically exists in the above-mentioned genres.In terms of the play,this paper mainly studies the drama of the Three Kingdoms in Shaanxi drama history.The volume of Ankang drama history.The volume of Hanzhong drama history.The volume of Shangluo Drama History.The volume of Nanyang drama art.The volume of Nanyang drama history.The volume of Xiangfan drama history.The volume of Henan drama history.In the aspect of script,the research object is the scripts of the three kingdoms,which are collected in thecollection of Shaanxi Traditional Repertoire,Henan Traditional Repertoire,Peking Opera collection and Hubei Local Opera series.The second chapter mainly discusses the relationship between the Three Kingdoms Opera in the Han River River Basin and the Romance of the Three Kingdoms,yuan-ming Zaju,ming-qing legend and Folk Literature,and discusses the inheritance and development of the three kingdoms opera in the Han River River Basin.The stories of the three kingdoms in the yuan and Ming Dynasties,the novel Romance of the Three Kingdoms,the legends of the Ming and Qing dynasties,and the folk literature have established the initial framework of the drama of the Three Kingdoms,and also provided the blueprint for the dramatists of the three kingdoms in the Han River valley to adapt and rewrite the themes of the three kingdoms.The three kingdoms opera in Han River valley mainly follows the basic features of the story,the language text and the characters in the Romance of the Three Kingdoms,and on the basis of this,makes some adaptations and innovations,there are also plays such as "Yellow Crane Tower" and "seeking the height",which directly follow the plots of yuan and Ming Zaju.The three kingdoms plays in the Han River valley draw on the best parts of the legends and folk literature of the Ming and Qing dynasties,create such as "Liu Guicun Drum","three Chuang Yuan Door" wonderful repertoire.Chapter III focuses on the Zhuge Liang culture in the Han River valley and the image of Zhuge Liang in Shokatsu's plays.The Han River basin was Zhuge Liang's main area of activity,with the Hanzhong region being the last place Zhuge Liang fought,and he left a rich Zhuge Liang heritage in Hanzhong.The Valley of Han River is also a place of Zhuge Liang culture.In memory of Zhuge Liang,Wuhou shrines were built all over Han River and some of them are still preserved today.In terms of drama culture,the three kingdoms of the Han River River basin has created a large number of characters with distinctive characteristics,of which the drama with Zhuge Liang as the main character accounts for a large proportion,and the images have different identities in different periods.The Fourth Chapter mainly discusses the Three Kingdoms drama in Han River valley from the perspective of feminism.The drama of the Three Kingdoms in the Han River valley shows the political and military struggle during the three kingdoms period.Due to thelimitation of the historical theme,the female characters are mostly in the status of vassals,they are subject to the feudal patriarchy,as a tool of political struggle with the lack of discourse and the concealment of self-consciousness,that is,the "voiceless" group in the Patriarchal Society.From a feminist perspective,we can find the collective loss of women's spiritual world and self-consciousness when we analyze the female images in the three kingdoms drama in the Han River River Basin.The fifth chapter focuses on the theatricality of the San Guo Opera in the Han River valley.This chapter is devoted to the study of the dramatic texts of the three kingdoms operas in the Han River valley,which are characterized by their dramatic rhythms,dramatic plots,twists and turns,and ingenious suspense,his buffoonery arouses the atmosphere of the theatre.From the aspects of rhythm,structure and Buffoonery,the drama of the three kingdoms in the Han River valley is full of theatrical characteristicsthe.