The Analysis Of Bartok’s Piano Suite Op.14

Bela Bartok,one of the representatives of the new national music school,was a famous Hungarian pianist,composer and folklorist in the 20 th century.Bartok created a large number of works in his life.In his creation,he was good at combining eastern European folk song and dance materials with modern creation techniques and integrating them into his works to form a unique creation style.The suite(op.14)was written in 1916.Compared with most of the works created by Bartok,this work does not directly use folk song and dance materials.This paper takes Bartok’s suite.14 as the research object and will be divided into the following three chapters.The first chapter gives a brief introduction of Bartok’s life and then further introduces the background of composing the piano suites in combination with the background of the composer’s life at that time.The second chapter firstly briefly analyzes the form structure of the suite,and on this basis,deeply analyzes the national elements of the work from the aspects of melody,rhythm and mode,etc.,and makes a detailed analysis on the application of personalized harmony and percussion elements in the work.The third chapter makes a detailed study of the performance of this suite from the aspects of key touch mode,speed and strength,and playing technique.