Aesthetic Study Of The Han Dynasty Bronze Mirror

Mirror,as a kind of according to let skin cleaning tool,since it was born at the beginning of the guide,has been communicated with the pursuit of beauty.In the history of bronze mirror development in China for thousands of years,there are three peaks in the Warring States,the Han Dynasty and the Sui and Tang Dynasties.Therefore,the bronze mirror of the Han Dynasty has a historical position in the history of bronze mirrors in China.For today people,although its imagery has disappeared,the backside ornamentation reflects the political,economic,and cultural aspects of the Han Dynasty.Previous studies on Han dynasty bronze mirrors paid more attention to the issues such as evidence,materials,shapes,craftsmanship,and culture.It is rare to discuss its thematic systems from an aesthetic perspective,especially in dissertation.Therefore,this paper proposes aesthetic research of the Han Dynasty bronze mirror,designed to help Han mirror of the key,learn more about the aesthetic style and aesthetic spirit of the Han Dynasty.According to the actual situation of the Han Dynasty bronze mirror and the logical need to explore from an aesthetic perspective.This article mainly includes the introduction,the five chapters,the conclusion and the appendix.The introduction mainly discusses the origin and value of the research on the aesthetics of bronze mirrors in the Han Dynasty.On the basis of the current research situation,it clarifies the ideas,methods and principles of this article.Focus on the topic of aesthetics research,what is aesthetics research? This paper mainly discusses the main methods of aesthetics research from semiotics and iconography,and puts forward the three principles that should be followed,that is the principle of uniting the history of aesthetics,combining comprehensive analysis with case analysis,mutual verification between data and unearthed copper mirror data.The first chapter mainly summarizes the basic situation of the Han Dynasty bronze mirror.The multiple historical factors,such as the political economy,cultural philosophy,technology and technology of the Han Dynasty,influenced the production and development of the bronze mirrors of the Han Dynasty,and it could be used to extend the development of bronze mirrors before and after the Han Dynasty.After that,based on the staging and classification of the Han Dynasty bronze mirrors by many researchers,the staging,classification and reasons of this article were put forward.In the end,the various functions of the Han Dynasty bronze mirrors,such as facial cleansing,decorative gifts,funeral with burial,self examination and persuasion,and cultivation of self awareness,were briefly analyzed.The second chapter mainly discusses the philosophical concept and aesthetic characteristics of the bronze mirror in the Han Dynasty.The philosophical concept of the overall morphological characteristics of the bronze mirror in the Han Dynasty was born on the basis of the ancient Chinese round thinking tradition and the rounded place thinking concept in the Han Dynasty.On this basis,the aesthetic characteristics of the overall form of Han Mirror,that is the unity of the beauty of form and decoration,the unity of practicability and artistry,and the unity of freehand and realism.At the same time,through the main types of point,line and surface,the aesthetic features of the Han Dynasty bronze mirror configuration elements can be found,such as the unity of mysterious beauty and power beauty,the unity of roundness beauty and clever beauty,the unity of balance beauty and harmony beauty.The third chapter mainly discusses the symbolic meaning and aesthetic style of the bronze mirror back pattern in the Han Dynasty.In the discussion of rock paintings,pottery pattern painting,Chinese characters,traces the ancient Chinese Images Abstracting from Viewing symbolic thinking tradition,then deeply symbolic culture of the Han nationality.Based on this,the symbolic meaning of the bronze mirror back of the Han Dynasty is mainly discussed,such as animal and plant patterns and their symbolic meanings,god human and animal type patterns and their symbolic meanings,and portrait patterns and their symbolic meanings.At the same time,in the gradual understanding of the symbolic meaning of the pattern on the back of the Han mirror,its aesthetic style emerged,which is "Enrichment" and "Dexterity","Magnificence" and "Simplicity","Hidden" and "Illusion" are mutually integrated.The fourth chapter mainly discusses the relationship between natural aesthetics,religious aesthetics and bronze mirrors of the Han Dynasty.Both Huang Lao and Confucian classics under the natural aesthetics of the Han Dynasty focused on "Emotional" aesthetics,but the former focused on emotional "Natural Care",while the latter focused on emotional "Natural Induction".Grassy mirrors and Nebulae mirrors are their representatives.Both Taoist theological and Chenwei theological under the religious aesthetics of the Han Dynasty focused on "Imaginary" aesthetics,but the former focused on emotional "World Structure",while the latter focused on emotional "Space Time Framework".Xi Wangmu mirror and Four Gods mirror are their representatives.In addition,the content of buddhism also began to influence Han mirrors in the Han Dynasty,especially in the late Easternhan Dynasty.The fifth chapter mainly discusses the contemporary value of the Han Dynasty bronze mirror.The contemporary value of the bronze mirror in the Han Dynasty is multifaceted.This chapter focuses on two aspects.The Han dynasty bronze mirror had a profound influence on design arts such as contemporary clothing patterns,logos,book binding,and architectural space.If used properly,it can promote the healthy development of China design art.On the other hand,the "Inclusive" aesthetic attitude,"Simple" aesthetic style,and "Survival Towards Death" contained in the Han mirror bronzes have inspired modern people "Aesthetic" survival.In short,the bronze mirror of the Han Dynasty has a unique "Formal Beauty" and a profound "Symbolic Meaning",which has been "Glorious" in the history of bronze mirrors in China for more than four thousand years.From an aesthetic perspective,this article "Digs in" the beauty of Han Mirror.The aesthetic spirit contained in Han Mirror are the accumulation of Han society psychology.Not only did it affect the Han dynasty for more than 400 years,but some of its aesthetic consciousness continued to this day,and still has strong vitality.