A Cross-textual Research Of Cell Phone

It has been 17 years since the novel "mobile phone" was published.Although it is not a long time,during this period,mobile phones have been rapidly updated,and their functions are not only limited to convenient communication,but also derive a variety of functions and become a symbol with multiple meanings and meanings.We can never know all the experience or age,or our memories of specific times has been blurred,but to explain the activities of literary and artistic works will bring us back to a specific era,and a specific era of dialogue,feel the age charm,adaptation is across the text gives us the opportunity to return to different time,at the same time use developing eyes feel the changes of The Times.Such changes of The Times are projected into the works of art,and become changes in themes,characters,narratives and rhetorical symbols.In the context of a large era,such changes in cross-text adaptation are also related to the characteristics of creators,receivers and art itself.Study to novels,movies and TV shows,therefore,the three text "mobile phone" as the main research object,based on the theory of dialogue theory,intertextuality theory,using the research methods of cultural poetics,from theme presentation,characterization,narrative methods and rhetorical symbol four dimensions across the text analysis,finally from across the text adapted change indicates that the factors affecting across text adaptation is the cultural context of The Times,the creator's subjective creation,the recipient of the uniqueness of different interpretation as well as the work itself.The introduction firstly points out the background and significance of the research,and then raises the question of why the research is carried out.Then it carries out the literature review,sorts out the research literature about the three texts and the author of the text,looks for the advantages and disadvantages of the literature research,and finally lists the relevant research methods.The introduction firstly points out the background and significance of the research,and then raises the question of why the research is carried out.Then it carries out the literature review,sorts out the research literature about the three texts and the author of the text,looks for theadvantages and disadvantages of the literature research,and finally lists the relevant research methods.The first chapter defines the text concepts in the cross-text and puts forward the theoretical basis on which the research relies.Bakhtin lead by the polyphonic novel theory of dialogue,broadly speaking,the essence of life is conversation,all are in the relationship of dialogue,from narrow sense,said dialogue is the structure of the work of art is the creator and work communication,and communication of the works is the receiver,is a work of communication between different age,the communication is the dialogue between different voice,rather than monologue type exchange of the same sound.The intertextuality theory,which inherits Bakhtin's dialogue theory,also holds that every text is the inheritance and development of the past text,and that the research should be extended to the secondary text and original text related to the text,that is,the text research is no longer in itself,but in connection with other art forms and times.This is the theoretical basis of the paper.The second chapter studies the change of the theme in the process of cross-text from the perspective of theme.The novel can express multiple life themes due to its own length,and the span of The Times is from the time when Yan shouyi lived before the founding of the People's Republic of China to Yan shouyi's middle age.The film simplifies the presentation of the theme because of its characteristics of popular art,and focuses on the discussion of the marriage of the middle-aged;The theme of TV series conforms to the development of The Times,and focuses on the public images under the contrast between urban and rural areas.Compared with the extreme representation of movies,the theme of TV series becomes soft,which is related to the different viewing fields of movies and TV series.At the same time,TV series also bring the entertainment problem of TV industry into the scope of attention.The third chapter focuses on the differences in the characterization of the three texts.The characters are the subjects of action and communication as well as the embodiment of the theme of art works.From the study of the three texts,the characters can be divided into the main characters and the secondary or newly added characters.The role of the main characters is to tell the different themes of each text,while the secondary characters contrast the main characters.Characters at the same time can also be divided into male characters and female characters,female characters such as Yu wenjuan in the novel is in a state of aphasia,and attached to the Yan shouyi,does not have its own subject consciousness,in the TV series,female characters have the growth,with the independent consciousness,the growth of the characters is the embodiment of the female voice,is the embodiment of the relationship under different era,is also a cross adaptation meaning of text.Chapter four and chapter five carry out cross-text research from three text "“how to say”,namely narrative strategy and rhetorical symbol dimension.Narrative focuses on the mastery of skills,the form of the work,the reasonable arrangement of the elements of the work of art,paying attention to the structure,rhetorical symbols focus on the emotional expression of the work of art,different receivers have different interpretations,pay attention to deconstruction.In narrative dimension,the thesis mainly focuses on the narrative perspective,narrative time,narrative plot research,in rhetorical symbol dimensions,main research different text on the different using of rhetoric and symbolic,concrete embodiment to the symbol,the use of metaphor and irony,and mobile phone as a signifier and body as a symbol of value.Finally,it summarizes and discusses the different narrative strategies and rhetorical devices in different texts,discusses the relationship between narrative and rhetorical symbols,and discusses how to achieve the balance between them,that is,how to achieve the balance between commerce and art,popular and elegant,expression and acceptance.Finally,based on the research of the“mobile phone”across the text,the paper indicates that the factors affecting across text adaptation is multiple,from the macro dimension,time changes affect the cross text adaptation,research,from the dimension of the specific objective of art works of aesthetic medium,aesthetic field,the audience to accept will impact on the cross text adapted to form;From the author's subjective dimension,the author's growth experience and artistic style also influence the cross-text adaptation.Across all of these text adapted even IP adaptation provides a reference standard,namely adaptation is not blindly inheritance of gameplay,but it is not adaptation,not subject to any restrictions across text adaptation is to grasp the relationship between inheritance and innovation,inheritance is the basis for the developmentof art,innovation is the key to the development of art,the key of innovation is from quantitative change to qualitative change,it conforms to the law of art development in the metabolic,creating a generation is a generation of culture and art.