Looking back at The Walt Disney Company from the last century to the present,the princess series is a beautiful scenery in the Disney animation kingdom.From the earliest Snow White to the 21 st century South Sea Princess of Moana,the hero has undergone multiple changes in image and character.Since the rapid development of movie screen technologies such as 3D and IMAX,Disney’s works have slowly bid farewell to the traditional history of hand-drawn animation.This change also reflects the change of Disney’s value orientation and operation direction.This article will first sort out the development process of the whole series of princess movies,introduce the leading role,box office and winning awards of each princess movie,then interpret the narrative features of the movie through close reading of the text and content analysis,and sum up the setting core of Disney’s best binary opposition story.The characters,clips,special effects,songs and scenes of Disney animated films always give people a strong shock,making each film bear a strong "Disney" mark.Starting from comedy,wisdom and emotion,this paper studies the aesthetic connotation of Disney Princess’ s animated films.The comedy elements of Disney Princess’ s films are firstly reflected in the roles of the characters,which are distinguished from the main characters,decent groups,negative characters or passers-by supporting characters.The images of confrontation between good and evil are very clear.In the setting of positive and negative roles,the lead is beautiful,optimistic and kind,while antagonist is ugly,gloomy and evil.The funny supporting role is responsible for making jokes in the play.The wisdom of Disney Princess’ s animated films lies in the selection and adaptation of fairy tale scripts,which combines the characteristics of postmodern popular culture and consumerism.The role of women has distinct characteristics of the times,but also has certain limitations of the times.At the same time,the study found that the princess’ s "growth" is an important theme in Disney films,which makes children have a exploration of freedom,responsibility and struggle consciousness.In Disney Princess animation films,the delicate and sentimental emotional description of women is a major factor to attract audiences.Influenced by postmodernism and feminism,the film’s emotion and self-perception of the princess have also changed greatly with the times.Disney’s animation creation is good at digging out foreign stories.The background of these stories is bound to show the local scenery,scenes and culture of the original place.Disney creates stories of the main characters of various skin colors in grassland,sea,glacier,plateau and other places,praising the magnificent natural landscape.Audiences from different cultures and fields around the world have different tastes,and there may be barriers to the initial contact between different cultures.Disney is good at absorbing and packaging the cultures of different countries,which reflects the cultures of different countries and is also an important factor for its best selling in overseas markets.The best-selling of the Disney Princess series depends on its best-known dual role-setting in legislation and special shooting mode,its study and packaging of foreign cultures,its support for the progressive development of the egalitarian society,and its catering to the emotional needs of contemporary people to pay attention to children and families.While actively learning the technical hardware of Disney animation creation,domestic animation films also need to broaden the perspective of topic selection,improve the quality of animation content,and break the inherent cognition that animation films are mainly for children.This paper takes Disney Princess,a unique female growth film,as the research object,introduces its background and audience demands,interprets creativity and aesthetic of the film,and summarizes the general rules in the market.It has reference significance for us to create cartoons of the same type,and also helps us to explore how to use better film language to publicize Chinese culture and convey Chinese spirit to the world audience. |