The "Communication" Art In Liuzhenyun’s Novels

Liu zhenyun from boarded the literary world to the present creation,has paid great attention to "speaks".He keenly captures the antinomy between the original intention of "man speaks" and the result of "man takes his words as his words".Therefore,on his way of creation,both characters’ words and narrators’ words to readers become more and more,and the chatty "speaking" becomes increasingly prominent in the novel.Highlighted with "speak",Liu zhenyun on the language itself "winding turn top" type of arrangement,and draw lessons from ancient storyteller art,prompted him to form the unique style-" twist ",and the voice of the characters and polyphony,this kind of " twist " language in fact and real life form the relationship between heterogeneous isomorphism,with language " twist " show " twist " of life.Based on this,this intentional "speaking" phenomenon not only has its ideological connotation,but also has its unique function in the narrative level.It not only effectively connects the changes of multiple narrative time and space,but also carries the author’s critical thinking of power and culture.Such language art and narrative function jointly generate the spiritual orientation of "speaking".One is to reveal the dilemma of interpersonal communication.But at the same time,the author also shows that the interpersonal dilemma of the characters stems from "talking",but they still try to achieve salvation through "talking".Such antinomy makes the "friendship" fall into a dead cycle of collapse and reconstruction.Liu zhenyun pays attention to "speaking" and constantly strengthens it in his novels.His "problem consciousness" is clear,but this problem cannot be solved in his novels.As a result,his writing falls into the self-repeating quagmire of "homogenization".