| Line-drawing comic strips in the period of the Republic of China became more and more mature under the influence of Dianshi Zhai Pictorial and literary novels,movies,newspapers and magazines.As a comic strip of popular art,most of the images painted are based on the character characteristics and aesthetic orientation of the period.Even if ancient characters are depicted,they will be artistically treated in order to meet the aesthetic intentions of the people at present.As a bridge in the development of ancient and modern comic strips,new and old images alternate in the comic strips during the Republic of China.With the continuous renewal of the times,the female images in the comic strips during the Republic of China also changed significantly,and the reasons for the changes are closely related to the social environment during the Republic of China.The history of comic strip development in China is very long,but the most similar to modern comic strip is the comic strip in the Republic of China.Among them,the content of comic strips in the early Republic of China is generally based on traditional Chinese classical novels,such as Journey to the West,Water Margin,etc.The portrayal of women in the pictures also refers to the drawing procedures of ancient ladies’ pictures,such as small feet,thin waist,shoulder-cutting,chest-wrapping and other traditional characters which weaken the gender characteristics,while the layout of characters follows the ancient "superiority and inferiority" and "the subordination of the main character from the small".Traditional paradigm.But around the 1930 s,due to the influence of the westerly wind spreading eastward and the invasion of new ideas,women’s self-consciousness gradually awakened,and the voice of self-liberation increased.Thus,the comic strips appeared in line with the aesthetic pursuit of women in that period,such as the popular high-heeled shoes after the liberation of both feet,the breasts released after the advocacy of breasts,the short hair pursuit of personality,Qi Liu Hai and so on.The new atmosphere is full of comic strips in the Republic of China society and the Republic of China period.To some extent,comic strips indifferent periods and their female images reflect different social life and ideological pursuit.It is also because of the birth of "new" female images and "new" content themes that comic strips have more room for development.At the same time,the female images in the line drawing comic strips during the Republic of China also had both explicit and implicit influences on the development of the comic strips.As far as the dominant influence is concerned,the traditional line drawing method of the comic strip in that period still influenced a large number of comic strip artists,and the reference of the comic strip to life in the period of the Republic of China also became a way of drawing materials for later comic strip groups.It is precisely because the comic strip artists in the period of the Republic of China improved the female image in the picture better,which laid a solid foundation for the innovation of the comic strip later.。 That is to say,as the new and old comic strips alternating,through the acceptance of new things and the improvement of old things,it provides more possibilities for the development of comic strips in the future.As far as the implicit influence of comic strips is concerned,it is the spirit of the times endowed by women’s images in comic strips in the Republic of China.By summarizing women’s clothes and daily activities,women’s pursuit of free individuality and independent personality in this period is expressed,and the spirit of the times hidden in the comic strips is returned to readers through subtle ways.That is to say,the comic book in the Republic of China is no longer a small book for entertaining the public,but a Book reflecting the times and even playing a certain role in educating people.The portrayal of female images in comic books is not only to foil the tall men or meet the needs of story plots,but also an important medium and an independent individual carrying the spirit of the times. |