Family Film <Father’s Wedding- Dress> Creation Elaboration And Ponder

Through the research,it is found that the main emotional types of family movies are unique family emotions and different concepts of love and kinship.The emotional externalization starts from the modeling elements of environment,props and actors,and pays attention to details and quality.Graduation work "Father’s Marriage Clothes" and thesis research are closely integrated,starting with family emotions,emotional externalization from the environment,props and actors,as well as skillful use of Japanese directors’ audio-visual language in family movies,reference learning and imitation,the emotional fetters between daughters and fathers are reflected in our works,and a family is not individualized.The same influence is also described,reflecting the prevalent differences of ideas among families in the current society.The film depicts Dahe and his daughters as bystanders,as well as the complex inner feelings and spiritual world of contemporary Chinese society.By telling the daily stories in the family,the work depicts the marriage and family outlook of two generations around a series of issues such as the daughter’s marriage.It accumulates in the pictures,then accumulates thick and thin,and finally returns to tranquility,which is both understated and soul-stirring.The introduction part of this paper mainly introduces the current development status of family films,the research status at home and abroad,and the background and significance of our graduation work Father’s Marriage.In the second chapter,the author elaborates the relationship between the characters and the expression of the theme in Father’s Marriage Garment.Finally,the third chapter focuses on exploring and deepening the audio-visual language used in the works.Starting from the form of the work,we can understand the theme of life,loneliness,gain and loss conveyed by the director’s image,as well as the different ways and conflicts of marriage between the two generations.