A Study On The Aesthetic Implication Of "Shen" In Wen Xin Diao Long

Wen Xin Diao long is the most complete theoretical work in ancient Chinese literary theory.The study of Wen Xin Diao long by the literary and artistic theorists has formed the famous school of Long.At present,the research on Wen Xin Diao long is mainly focused on the stylistic evolution,structural system and aesthetic category.But in the study of aesthetic category,the system of "shen" is not enough.Therefore,it is necessary to study the aesthetic implication of "shen" in Wenxin Diao long with the systematic structure.In Wen Xin Diao long,the word "Shen" appeared 63 times,involving 22 chapters,covering the total preface and style.On the four major parts of creation theory and literary criticism.The aesthetic category of "shen" shows the direction of ontology,creation theory,work theory and acceptance theory in Wen Xin Diao long.From the perspective of ontology,"shen" is the Noumenon source of literature.In Wen Xin Diao long,Liu Xie thinks that the reason for the emergence of Wen is Shenli.Liu Xie thinks that the creation of Wen comes from two aspects: one is from heaven and earth,and the other is from man's own ability.Liu Xie ascribes both of these two ways to theology."Shenli" is connected with "Daoxin",but "Tao" does not act as the law of heaven and earth.It is clear that only "saints" can manifest "Tao" with "Wen".Therefore,in the process of "From these things we know that Tao is handed down in writing through sages,and that sages make Tao manifest in their writings" the former highlights the generation and transformation of the "Wen" from the "Tao",and the latter highlights the revelation of the "Tao" in the "Wen".The former highlights the formation and transformation of the "Wen" from the "Tao",and the latter highlights the revelation of the "Tao".The aesthetic implication of "shen" is presented in the inquiry of the Noumenon of Wen.From the point of view of creation theory,"shen" is the spirit of the subject,inspiration and the creative way of thinking in image.Liu Xie called it "divine thought".Spiritual thought is the spiritual guidance of the subject in the process of creative thinking throughout the whole article writing.The creation of the "shen" is in the spirit of agitation and exultation Vivid inspiration burst out in the state."shen" in the process of creation is not a single static state,but under the influence of inspiration,thought,imagination and other abilities.Such a process of creation of the "shen" fleeting and cannot be forced to create a sweltering pleasure to the creator.From the point of view of works theory,"shen" is the perceptual space formed by the rules formed in the style and the content of the text."Wen Xin Diaolong" distinguishes all kinds of styles,and sums up the internal regulations of the style with precise sentences.It is these "stylistic" provisions formed from the historical evolution that have become the "style" of the definition of the article.Of shen.In terms of the content of the article,the author perceives the feeling content created by the article from the "potential","sentiment" and "hidden show".The expression characteristics of the contents of these articles are the "shen" created by their contents.From the point of view of reception theory,one is the feeling of the Noumenon "shen" produced by Wen,and the other is the image that "shen" feels in the human heart.In the Noumenon inquiry of Wen,the author perceives the "shen" produced by Wen from heaven and earth in the form of "body Tao seeking sacrament".In the process of myths and legends and sacrifices,it is "divine" and "sincere" left by "shen" in the people's heart.The psychological feeling of faithfulness.From these four points of view,the aesthetic implication of "shen" in Wen Xin Diao long is explored,and the various dimensions of the aesthetic implication of "shen" in Wen Xin Diao long are explored.From the development history of Chinese classical literary theory,the "shen" in Wen Xin Diao long inherits the aesthetic characteristic of "shen",which is an aesthetic category of "shen" in ancient Chinese literary theory.But different from other literary theories,the "shen" in Wen Xin Diao long also constitutes its own complete system on the basis of this aesthetic characteristic.