A Study Of The Singing Of Jiang Kui’s Completely Original Songs

With the continuous development of vocal music art,Chinese national vocal music is loved by more and more public.Many excellent national vocal works that have been asleep for many years have also returned to people’s horizons.Jiang Kui’s self-curvature has deep historical value and can still be heard in all kinds of competitions today.Jiang Kui selfcurvature works by the vast number of vocal music teaching and singers sung and loved.In today’s research field,there have been many studies on the translation spectrum of Jiang Kui self-curvature colloquial characters spectrum,but the research on the singing system of Jiang Kui self-curvature is still scarce.Therefore,this paper hopes that through the systematic study of Jiang kui three self-curvature,on the one hand,for Jiang Kui self-curvature singing research to make a modest contribution.On the other hand,we hope that through the research of this paper,we can provide reference and reference significance for teachers,students and music lovers who study singing Jiang Kui self-curvature works.Jiang Kui was a musician in the Southern Song Dynasty of our country.His word Yao Zhang,the number of white stone Taoist.Present people in Boyang County,Jiangxi Province.His self-curvature from the Southern Song Dynasty to the present,is today’s Chinese vocal music ancient poetry and song works,Rare treasures.Has the extremely high artistic value and the inheritance value.As a younger generation,we should think and explore the Jiang Kui self-curvature of learning and singing in order to better carry out and display.This paper mainly takes Jiang Kui’s three self-curvature as an example.Combining the theory of national vocal music,"Singing Theory",and the singing skills and aesthetics of vocal music nowadays.This paper analyzes and combs the problem of how to sing Jiang Kui self-curvature.And give the corresponding suggestions from the key point of singing." Xing Hua Tian Ying " this self-curvature is to "miss" as the tone.The song shows what the author sees at the moment,and describes the thoughts of the lovers." Yangzhou Man " this self-curvature with "slow" as the genre,described the author to see the post-war Yangzhou scene and thinking." An Xiang " is a masterpiece of Jiang Kui Yongmei.This self-curvature by the meaning of the word is a description of plum blossom,in essence,is the use of lyric." An Xiang " through the lyrics of plum blossoms,depicting a cool and quiet image.This paper discusses how to sing Jiang Kui selfcurvature through the treatment of Jiang Kui self-curvature bite,the processing of vents,the processing of timbre and the processing of the emotion of works.