A Study On Jiang Kui’s Self-prosody From The Perspective Of New Singing Of Ancient Songs

The new singing of ancient songs is an embodiment of the practice process of Chinese traditional music culture under the background of the development of The Times.As the treasure of Chinese excellent traditional music culture,ancient music is the long history precipitation brought by thousands of years of Chinese ancient culture,and to some extent,it inherits the spirit of Chinese national culture and the verve of Chinese traditional culture.On the other hand,the ancient poetry and art songs are the musical products of Chinese traditional music that conform to the changes of The Times on the basis of ancient songs.According to the former two aspects,the new singing of ancient songs is the reflection,cultural absorption and practice of music culture on the changes of their musical forms,which has important innovation value and research significance.Since the discovery of the manuscript of baishi daoren song in the qing dynasty,jiang kui’s musical works have gradually become one of the main research objects in the music culture of ancient qu.Not only that,from a historical standpoint based life in the northern song dynasty to the change of the transition period,influenced by the environmental claims original song on music creation also has certain characteristics of the time,and the white stone road flyover songs is today the only film to intact song ci-poetry set in the southern song dynasty period,it serves to show the value of collection.From a creative standpoint based in the white stone road flyover song lyrics,composer for himself as one of the artistic form is given priority to,so the whole original song concentration has a distinct personal emotional color and strong creative characteristics,it also makes the researchers in related living museum of music analysis and elaboration in the study and inspiration significance.Through the comprehensive and multi-angle detailed analysis of the development and works of ancient music from the perspective of new singing of ancient music,we can combine these knowledge with our own singing practice,so as to accurately grasp the cognition and application of singing skills and emotional expression in music.Only in this way can we better apply the music knowledge we have learned to the practice of vocal music singing,fully express the true feelings in the content of Chinese music culture,enrich our own cultural background and connotation,and make us learn how to learn and sing more ancient Chinese poetry and art songs.