A Study Of Malaria Poems In Tang Dynasty

Tang poetry plays an important role in the history of Chinese poetry and Chinese literature,and the Malaria writing of Tang poetry reflects the distribution of epidemic diseases represented by malaria in Tang Dynasty,leaving behind many literati’s understandings of Malaria,suffering from miasma disease,and measures to prevent Malaria.It has the value of literature and art,historical value and medical culture value that cannot be ignored.This paper probes into the study of Malaria poems in the Tang Dynasty from the angles of Malaria records,combing the development and change of Malaria poems in the Tang Dynasty,analyzing the main contents and geographical distribution of Malaria writing,and exploring the paradigms of the creation of Malaria poems,and thus o show the basic appearance of Malaria poems in Tang Dynasty.The first chapter is the traceability analysis of the records of the Malaria in the first Tang Dynasty and Tang dynasties.This period of the historical records and medical records of the Malaria,as well as the summary of poetry,to examine the people’s understanding of Malaria,made distribution and response to the situation.At the same time,the author makes a brief analysis of the content,thought and artistic technique of Malaria poems in the Tang Dynasty,which are the literary sources of the Malaria poems in the first Tang dynasties.The second chapter is to sort out the development track of Malaria poems in Tang Dynasty,and analyze the creation scale,subject matter content,creation mode and so on of Malaria poems in the first and late four periods.It is believed that the Malaria poems of the Tang Dynasty experienced the germination of the beginning and Tang dynasties,the new changes of the Tang and Tang Dynasties and the fall of the Tang Dynasty in four stages,each of which showed its own style characteristics.The third chapter mainly analyzes the main contents of Malaria writing,the connotation of literature and culture,and the distribution of space-time.Roughly,302 Malaria poems are divided into four categories,such as disease writing,Miasma threat,desolation symbol and weather indication,each of which enumerates a large number of poems to interpret the ideological and emotional,literati’s mood,medical and health and other situations reflected in it.The table of several statistics reveals the regional distribution of Malaria poems and the Characteristics of Southern literature,and has a three-dimensional image of the literati in the miasma between the land and the hometown and the capital relegated the situation.The fourth chapter selects the three-Yuan Zhen,Bai Juyi and Du Fu,which were created by Malaria poems in Tang Dynasty,as the research object to analyze the paradigms of creation.Their relegation experience,creative style and emotional health together represent the three paradigms of the creation of Malaria poems in the Tang Dynasty,that is,the writing of Du Fu as the first self-miasma swung,the Zhen experience writing represented by Yuan relegation,and the singing of Yuanbai jointly created by malaria,who not only create a huge number of creations,at the same time,the pioneering and aesthetic artistry of his works also represents the highest achievement of Malaria poetry in the Tang Dynasty.The Malaria poems,which are more than 300 in the Tang Dynasty,retain Malaria writing which is different from the historical records.The poet writes Miasma,Miasma and so on in the poem with documentary handwriting to inherit the traditional realism tradition of Chinese literature,at the same time,it expresses his homesickness feelings and sincere friendship,which makes the intrinsic value of the humanistic emotion of the poem of this subject be enhanced,The creation of Malaria poems in the Tang Dynasty shines with the light of human nature from beginning to end.