Study On "Female Soldier Writer" Xie Bingying

Due to the barrier between the two sides of the strait,the research on the famous "female soldier writer" Xie Bingying needs to be strengthened.On the basis of fully excavating a large amount of historical data,this paper explores the literary creation and literary activities of Xie Bingying during the Northern Expedition,the War of Resistance Against Japanese Aggression,the period of retreating to the northwest and the post-Taiwan period,Trying to analyze her mentality changes and position choices in different historical situations from the perspective of cross-strait integration,thus enriching Xie Bingying's researchIn addition to the abstract,introduction and remainder of the thesis,the main content is divided into three chapters:The first chapter first analyzes the cultural connotation of "Big Literature" and the "big literature" writing trend in the literary world in the 1920 s,reveals the background factors of Sensational "The Diary of the Army";then starts from the concept of Sun Fuyuan,editor-in-chief of the Central Daily News.It is pointed out that the real reason for Sun Fuyuan chooses "Diary of the Army" is not "pure literature" but "big literature" including "war","female" and "revolution".Finally,discussing that Xie Bingying tried his best to make up for the lack of language skills in the creation,joined the Northern Left Union in literary activities,and went to Japan to study abroad twice,trying to break through and perfect his own "big literature" writing concept after the Northern Expedition.The second chapter focuses on Xie Bingying's literary pursuit of the "national standard" in the field of disputes in which the multiple literary forms of the Kuomintang area coexisted from 1937 to 1940.He abandoned the partisan consciousness and class consciousness,repeatedly organized the field service group to rescue the wounded and act as a battlefield Reporter,writing an anti-Japanese propaganda article.During this period,her reportage creation was in a blowout,and the use of straightforward style and multi-dimensional artistic techniques was unique in the anti-Japanese literary world.The third chapter mainly discusses Xie Bingying's participation in the establishment and acceptance of the large-scale literary and art journal "Yellow River" due to the common influence of personal situation,literary mission cognition and the Northwest political situation under the fading western cultural environment in 1940;During the period,she tried to jump out of the barriers of running the magazine in the system,comprehensively highlighting the theme of the war on the selection of the article,and making appropriate choices for the national government's literary policy,so that the literary atmosphere of the "Yellow River" surpassed the party of government;The establishment and development of "Yellow River" strengthened the regional interaction between the Northwest Wenyuan and the national literary world,expanded the northwest literary and artistic team,and promoted the cultural construction of the northwestern rear.The remainder of the thesis made a holistic grasp of Xie Bingying's creative direction and ideological changes after he went to Taiwan.Analysis that her hiding and correcting her left-wing thinking under the official discourse of "battle literature";in terms of literary creation,the emphasis of creation gradually shifted from "social problem-style" novels to prose and children's literature with the 1956 as the boundary.It is pointed out that her position of "focusing on people's livelihood and loyalty to the nation" is unchanged Before going to Taiwan and after;the transformation of "women's writers" to "scholar-type writers",Xie Bingying is not a "case",but a thought-provoking The typical "phenomenon".