The Study Of Zhou Zuoren's Preface And Postscript

Zhou Zuoren's position in the history of Modern Chinese Literature is undisputed.He lived in a time of vicissitude,experienced ups and downs,had a wide horizon,and created a rich and unique literature.Most of the studies on him in the literary field focuses on his literary characteristics and literary thoughts,while the preface and postscript studies have not been systematically elaborated.In fact,Zhou Zuoren's preface and postscript creation are quite abundant,and the preface and postscript also reflects a lot of his writing skills and writing concepts,which are worthy of study in history,thought and academic aspect,and this is the focus subject of this article.The introduction mainly introduces the style of preface and postscript,the preface and postscript in the sub-text system,and comprehensively analyzes the academic research situation.The first chapter is about the classification of the preface and postscript of Zhou Zuoren.Zhou Zuoren has a profound foundation in Chinese studies and is also proficient in Greek,Japanese,English and other foreign languages.He has a wide range of interests and in-depth studies in many fields.This chapter is not classified from the traditional self-preface and other-preface,but from the perspective of Zhou Zuoren's creation,it is divided into literary creation,translation works and ancientbooks,reading notes and other types.In this way,the generality of traditional classification is avoided and the background of Zhou Zuoren's creation is systematically interpreted.The second chapter is analyzed in detail on the writing skills of Zhou Zuoren's preface and postscript.The preface and postscript of Zhou Zuoren are not only argumentative essays with strong fighting ability,but also beautiful essays with strong lyricism.Most importantly,he created a personalized "plagiarist".The spoken language,European language,classical Chinese and dialects are a mixture of congenial,simple and astringency.His weak personality makes his preface simple and natural,his unique aesthetic makes his preface and postscript both refined and vulgar appreciation,and the inherent pessimism makes his prefaces bitter and cold.The third chapter focuses on the study of Zhou Zuoren's preface and postscript writing concepts.As a literary critic,Zhou Zuoren has unique insights into preface and postscript,prose,poetry,and novels.In his opinion,preface and postscript is better to irrelevant to the subject,prose should be full of interest,poetry should be melted,and novel should be reclusive and obscure.The conclusion and analysis of writing concepts embodied in Zhou Zuoren's preface and postscript is helpful to the systematic study and grasp of the preface and postscript of Zhou Zuoren.The fourth chapter studies from the value dimension of ZhouZuoren's preface and postscript.Preface and postscript writing is accompanied by Zhou Zuoren's lifetime creative research,so the preface and postscript can not only glimpse the realistic environment of Zhou Zuoren's era,but also perceive his literary activities and life history.The most important thing is that the preface and postscript reflect various literary concepts of Zhou Zuoren,as well as his mixture of Chinese traditional culture,Western literary and artistic thoughts and Japanese culture.Of course,Zhou Zuoren's preface and postscript on literature,philosophy,folklore expert insights are of great academic value.The conclusion is mainly to summarize the full article.Zhou Zuoren's preface and postscript is an important part of his creation.Through the study of the preface and postscript,we can not only deepen the understanding of Zhou Zuoren,but also broaden the scope of Zhou Zuoren,and hope to promote the study of the preface and postscript.