A Study On The Communication Between Puxian Opera And Other Operas Focusing On Traditional Plays

Puxian Opera originated in Tang Dynasty,became in Song Dynasty,flourished in Ming and Qing dynasties,and is still performing on stage.It has a long history and high artistic attainments,which not only represents the cultural and artistic achievements of Puxian area,but also inherits the rhyme of Song-Yuan-Nan Opera,the legend of Ming and Qing dynasties.The study of Puxian Opera has always focused on the relationship between Puxian Opera and the Southern Opera of Song and Yuan dynasties,which serves the study of Southern Opera,so it is easy to ignore the initiative of the growth process of Puxian Opera,that is,the formation of Puxian Opera is a process of positive communication and interaction with the outside world.Therefore,in the study of the development of Puxian Opera,it is necessary to explore the relationship between Puxian Opera and foreign operas such as Yiyang Opera,Li Yuan Opera,Chao Opera and so on,so that the study of Puxian Opera is more comprehensive.First of all,it combs the development process of Puxian Opera from the historical point of view.In addition to affirming that folk art accumulation provides possibility for the formation of Puxian Opera,this subject also returns to the thought of "music standard".This paper probes into the key role of music elements such as Tang and Song Daqu in the formation of Puxian Opera,excavates the musical conditions of Puxian Opera formation,and emphasizes that the growth of Puxian Opera has been constantly communicating.To the Ming and Qing dynasties,it combs the communication history between Puxian Opera and foreign opera elements in order to observe the mature process of Puxian Opera.During the Ming and Qing dynasties,Puxian Opera interacted with foreign operas,and developed from Xinghua Zaju to a unique local vocal cavity,which is becoming mature.Puxian Opera has a close relationship with many foreign operas,especially with Liyuan Opera,Chaoyuan Opera,Yiyang Opera and so on.This paper focuses on the relationship between Puxian opera and Yiyang opera,pear garden opera and tidal drama,affirms the premise of communication between Puxian opera and these operas,and examines the origin relationship between Puxian opera and these local operas from the point of view of historical background.Then combined with the opera elements,especially through the script,a more objective material carrier for analysis and comparison,in order to demonstrate the Puxian opera and these operas communication situation.The growth of Puxian Opera is not isolated and self-contained,but an active process of communication with the outside world.There is deep cultural soil behind this spreading phenomenon,that is,the natural conditions and ecological environment of Puxian opera and other operas are interlinked.Therefore,the last part of the subject starts from three aspects: geographical location,migration history and local culture,taking Puxian opera as the center,focusing on the deep-seated reasons for the overall development of local opera in China(especially the Southern Opera),and taking a small view of it.Thus make the research more open,more realistic significance.