Aesthetic Study Of Chinese History And Culture Microdocumentaries

Since 2010,China has paid more and more attention to the development of documentary films,and has introduced favorable policies to support the development of documentary films in China.The rise of new media has made the traditional media,which is dominated by the mainstream,feel the unprecedented impact,which has brought opportunities and challenges to the development of traditional media,and has also exerted a subtle influence on the creation and dissemination environment of documentaries.A new form of documentary-micro-documentary is quietly emerging.The new media relying on digital technology and the Internet has brought about changes in the concept of communication and the form of communication.It has spawned the "small micro culture",and there have been products such as Weibo,WeChat,and microfilm.People have entered the "micro-era." Advances in technology have lowered the threshold for the generation and dissemination of information,providing people with a way to express themselves,and have also spawned a micro-appreciation-a new aesthetic taste.History and culture are the foundation and blood of a country and a nation.General Secretary Xi Jinping promoted the Chinese excellent traditional culture to "the genes of the Chinese nation","the blood of the national culture" and "the spiritual lifeline of the Chinese nation".Under the strong advocacy of the country,traditional culture has also influenced the public aesthetics.The beauty of traditional culture has been accepted by more and more people.TV programs,documentaries,movies,and commodities that are historically traditional cultural expressions are gradually gaining people.Identity and love.Under such an era of context and media ecology,historical and cultural micro-documentaries came into being.Historical and cultural micro-documentaries such as "Forbidden City 100" "If National Treasures Can Speak" and "National Photo Album" appear in series as TV,website,mobile phone and other video media terminals,resulting in better communication effects and social influence.However,what is a historical documentary micro documentary?What are the aesthetic characteristics of historical and cultural micro-documentaries?The aesthetic study of historical and cultural micro-documentaries not only helps us to understand this film and television form more deeply,but also helps us to enhance our exploration of film and television aesthetics in the new media environment.The first chapter of this study explores the rise of historical and cultural micro-documentaries.In recent years,the state has attached importance to the development of documentaries and has successively introduced support policies,which greatly encouraged the creation and development of documentaries.Under the influence of new media,micro-documentaries began to emerge and became an important form of communication for documentaries.With the country's emphasis on traditional culture,historical and cultural micro-documentaries have gradually entered the audience's field of vision,and there have been many explosions of works,which has become one of the focuses of academic and film industry.The second chapter analyzes the aesthetic taste of the current public.On the one hand,under the national attention and propaganda,the mass aesthetics gradually moved from pan-entertainment to communication and promotion of excellent traditional culture,and cultural programs and works were popular among the public.On the other hand,the rise of micro-aesthesia has promoted the development of micro-cultures and micro-documentaries.Micro-appreciation has become a popular aesthetic trend,creating a good aesthetic context for historical and cultural micro-documentaries.The third chapter begins with the narrative features of historical and cultural micro-documentaries,and interprets the narrative aesthetics of historical and cultural micro-documentaries in combination with specific cases,and explores the aesthetic characteristics of historical and cultural micro-documentaries in narrative.The fourth chapter focuses on the sound aesthetics of historical and cultural micro-documentaries.It is pointed out that due to the influence of the communication environment,the historical and cultural micro-documentaries show the characteristics of the interpretation of words and the flexibility of music in the use of sound.The fifth chapter summarizes and analyzes the development status of historical and cultural micro-documentaries,and combines the aesthetic orientation of micro-cultural aesthetics to make suggestions for the development of historical and cultural micro-documentaries.